antiques miscellaneous
Their are so many antiques to choose from it is better to use our search facilty to search for the items you are looking for.
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19th Century Pair of Putti Andirons in Gilt Bronze
sia antion, riga, latvia
We present you this wonderful pair of 19th-century andirons in gilt bronze. They represent cherubic figures, also known as putti, gazing at each another. These andirons have been meticulously cleaned and are remain impeccable condition. Moreover, their iron backs have been polished to give them a gun barrel-like finish. Dating back to the Napoleon III era, they would make a fantastic choice for enhancing the decor of any luxurious apartment. Width: 52cm, Height: 29cm, Depth: 19cm, Weight: 5kg, Condition: Condition of use, Material: Bronze, ID: 12494
£2,725.26
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19th Century Large Hexagonal Bronze Jardiniere in the Style of Victor Paillard
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We present you a wonderful and extremely unique hexagonal bronze jardiniere from France with a decorative mask on each side and a three-legged stand featuring legs in dragon motifs and horse hoofs, inspired by the renowned bronze artist Victor Paillard (1805-1886). The plate itself is embellished with relief sculptures of classical figures heads on each of its five sides, along with floral motifs. It stands at a height of 93 cm and it is 66 cm long in diameter. Although it was designed to serve as a jardiniere, it can also function as a large ice presentation bowl for displaying champagne bottles.Victor Paillard was a bronze worker and sculptor born in the Eure region in 1805. At the age of 11, he came under the protection of a Spanish painter, the Count of Guzman. The Count took him to Paris to assist with the preparation of colours. In 1828, Victor Paillard began working for Jean-François Denière, a bronze worker and chiseler. It was with him that he learned the craft while also attending evening classes taught by Chenavard and the chiseler Martinot. In 1855, he was appointed as a member of the Jury for the Universal Exhibition of 1855, which took place in Paris. His reputation extended beyond borders, as he was called to work in Belgium, Austria, and especially in Russia, where he worked for Baron Alexander von Stieglitz. He also received several official commissions, including the decoration of the Foreign Affairs Palace on the Quai dOrsay. Width: 66cm, Height: 93cm, Depth: 30cm, Weight: 10kg, Condition: Condition of use, Material: Bronze, ID: 12490
£4,437.06
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18th Century French Antique Paravent Screen with Three Leaves
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Presenting you this 18th-century antique three-leaf folding screen with oil-on-canvas paintings on the front and oil-on-paper paintings on the back.Some tears consistent with the age and use of this piece can be seen in the paper on the reverse, however the front side of this piece is in excellent condition. Each of the three paintings consists of elements referring to music, warriors, and agricultural objects. Width: 180cm, Height: 157cm, Depth: 4cm, Weight: 10kg, Condition: Condition of use, Material: Lacquered wood, ID: 12456
£1,703.29
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Shell Plaque (Barava) from Solomon Islands, 19th Century
sia antion, riga, latvia
Objects crafted from the shell of the giant Tridacna clam, also known as the fossilized giant clam, held great value among numerous Melanesian peoples. The artistry of working with fossilised Tridacna reached its zenith in the Solomon Islands, particularly evident in the creation of intricate and prestigious objects like the barava – perforated plates originating from the western Solomon Islands.While some barava designs feature geometric patterns, many incorporate stylised human figures intertwined with shapes reminiscent of faces, characterised by spiral eyes and smiling mouths adorned with tiny teeth. Traditionally, barava were closely linked with burial sites, often used to embellish structures housing the skulls of esteemed individuals or enemies, or placed atop graves. In the past, certain barava even played a role in vovoso, potent charms worn aboard war canoes during headhunting expeditions, safeguarding the crew and ensuring successful endeavours.The Didier Zanette Collection offers insight into these remarkable artefacts. Additionally, a selection of other 19th-century objects crafted from giant clam shells remains available.For further exploration of this fascinating subject, refer to the book:Tridacna Gigas: Objects of Prestige in Melanesiaby Éric Lancrenon and Didier ZanetteISBN: 9782915654929Publisher: Au vent des îlesPublication Date: November 16, 2011Series: Pacific CulturePages: 277Dimensions: 29.5 x 23.5 x 2.9 cm Width: 23.5cm, Height: 29.5cm, Depth: 2.9cm, Weight: 2kg, Condition: Condition of use, Material: Sea shell, ID: 12451
£6,608.75
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19th Century Kukukuku Club from Highlands Papua
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This rare antique Kukukuku (pronounced cookah-cookah) war club is from the remote highlands of Papua New Guinea. It features a head made of stone in the characteristic pineapple shape.These clubs are the most common type of club found in Papua New Guinea They come from throughout much of the country.The war clubs have a variety of different shaped stone heads and it is often the shape of the head that determines the value. Complex pineapple-shaped club heads are generally better than disk or ball-shaped stones. Width: 10cm, Height: 70cm, Depth: 3cm, Weight: 3kg, Condition: Condition of use, Material: Stoneware, ID: 12449
£1,141.20
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19th Century English Campaign Marine Chest of Drawers in Mahogany
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This stunning mahogany chest of drawers model was originally used by the British navy. It features charming typical campaign handles as well two carrying handles on both its sides.The size of this piece, measuring 66 cm in width and 49.3 cm in height, makes it it a versatile piece for interior decorating on top of its functionality.This chest of drawers, with its unique shape, fits seamlessly into both modern and traditional settings.Despite being in a very good condition, please note the signs of wear visible on the left side of this piece. Width: 66cm, Height: 49.3cm, Depth: 30cm, Weight: 8kg, Condition: Condition of use, Material: Metal, ID: 12448
£1,609.61
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Unique and Large Carved Oak Armchair in Modern Fabric in the Style of Louis XIII
sia antion, riga, latvia
The royal Louis XIII style armchair in carved oak represents the pinnacle of old-world elegance and luxury, beautifully adapted to contemporary needs. Every detail of its sturdy oak wood, painstakingly hand-carved, evokes the majesty and sophistication of the Louis XIII era. The finely crafted patterns and delicate ornamentations demonstrate traditional artisanal know-how.Completely reupholstered, this armchair now has a high-end printed velvet, adding a touch of modernity while retaining its historic character.The choice of fabric, exceptional in its quality and refinement, offers a sumptuous look and unparalleled comfort. The prints on the velvet captivate with their shine and texture, enhancing the visual appearance of the armchair and blending perfectly into an opulent interior.This unique and grandiose armchair is only available in a single copy, making it a truly exclusive piece. By its mere presence, it transforms any space into a majestic and elegant place. Whether installed in a sophisticated living room, a prestigious office or a luxurious bedroom, this armchair will bring incomparable radiance, guaranteeing a breathtaking visual impact and unrivaled aesthetics.In short, this royal Louis XIII style armchair is more than just a piece of furniture; it is a work of art and a living testimony of artisanal heritage, ready to embellish and magnify any grandiose interior. Width: 76.5cm, Height: 134cm, Depth: 70.3cm, Weight: 10kg, Condition: Condition of use, Material: Oak and fabric, ID: 12437
£2,640.10
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Pair of 19th Century Gilt Bronze Fire Dogs in the Ancient Egyptian Style
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The andirons from the French Regency period, crafted in gilt bronze, exhibit a striking blend of elegance and opulence in the Egyptian Revival style. Each andiron features a meticulously detailed sphinx, a symbol of mystery and power, resting regally atop the structure. The sphinxes, with their serene, enigmatic faces, are adorned with traditional Egyptian headdresses, and their muscular bodies are poised in a commanding yet graceful stance.The gilt bronze finish adds a luxurious sheen, giving the andirons a radiant, golden appearance that catches the light beautifully.The base of each andiron is equally impressive, designed with geometric precision. The combination of these elements creates a harmonious balance between the sturdy functionality of the andirons and their decorative splendor.Overall, these andirons are not just functional fireplace accessories but also exquisite pieces of art that reflect the grandeur and fascination with ancient Egypt that was prevalent during the French Regency period. Width: 26cm, Height: 39cm, Depth: 31.1cm, Weight: 3.4kg, Condition: Condition of use, Material: Bronze, ID: 12430
£3,065.92
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Nigerian 19th Century Gold and bronze trade currency Bracelet
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We present you an 19th century antique Nigerian high quality bronze GOLD PLATED bracelet currency traditionally used in monetary functions and exchange in the tribe as well as body ornamentation for women.Its unique design and pure, flamboyant aesthetic make this rare piece a highly collectible work of art.We sell it with his base. Width: 9cm, Height: 12.5cm, Depth: 3.5cm, Weight: 1kg, Condition: Condition of use, Material: Bronze, ID: 12415
£1,141.20
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Baccarat Cut Crystal Centerpiece Mounted on Chiseled Gilt Bronze, 19th Century
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Hand-cut Baccarat crystal centerpiece mounted on chiseled gilt bronze serving as a bowl or fruit stand. This majestic piece features a large Baccarat crystal bowl topped with a long cornet vase (43 cm) which makes it spectacular.The base rests on four claw feet and consists of a domed half-sphere in cut crystal intersected by the foot of the bowl. This section is equally ornate as it consists of a very finely chiseled bronze structure supporting the rim of the basin, from which two large, scalloped handles adorned with interlacing foliage and a pendant representing a laurel crown extend.The chiseling and gilding of the bronze are particularly elegant in this piece. In the 19th century, such pieces were usually found on the beautiful tables of European aristocracy, serving as a ceremonial bowl or fruit stand. This opulent and refined centerpiece is an object that will stand out in your interior or at a reception.Height: 69 cmDiameter: 43 cmBase: 14 x 14 cmHeight of the cornet vase: 44 cm Width: 42cm, Height: 69cm, Depth: 12cm, Weight: 15kg, Condition: Condition of use, Material: Crystal, bronze, ID: 12398
£3,977.18
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Rare Kanak kagu Wooden Bird Beak Puzzle, New Caledonia, 19th Century
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Rare Kanak war club of the Kagu type (Birds beak) in hardwood, from New Caledonia, Melanesia, 19th century.This is an exceptional Kanak art collectors item due to its imposing size and its rare balance on this type of object.This ancient combat tool, carved in a beautiful solid hardwood decorated with a magnificent dark brown and shiny patina, is distinguished by its long cylindrical handle which ends in a stylized birds head, with an elongated beak, two raised eyes and a crest falling at the back of the neck.The handle reflects the traditional style of Kanak clubs. Clubs are an integral part of the Kanak arsenal. Although several forms exist, the most widespread are divided mainly into two categories: phallic brain teasers and those in the shape of a birds beak or turtle.Their use for war and dances is omnipresent throughout New Caledonia. According to Maurice Leenhardt, these objects are used to express virility during war speeches, an essential aspect of the oral tradition. The different forms do not correspond to a specific use, but reflect regional styles, each socio-political group imprinting its identity on the objects it uses.These clubs were brandished during the pilous, in particular for the declamation of genealogical speeches, symbolizing masculine virility and power. A drawing in Indian ink on tracing paper, made around 1954, attests to the objects collected before 1900 by the curator Bernier for the New Caledonian Museum. This model of Kanak puzzle, called “phallic”, represents a formidable weapon used in close combat in New Caledonia. Width: 35cm, Height: 77cm, Depth: 8cm, Weight: 1.5kg, Condition: Condition of use, Material: Lacquered wood, ID: 12395
£3,602.45
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Louis XV style gilded wood firescreen, 19th century
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Louis XV style gilded wood fire screen, 19th centuryCarved gilded wood fire screen decorated with a tapestry with original stitches representing the abduction of Europa.The surround is made up of detached columns topped with rosettes and pompoms.The frame is decorated with pearl rays with a cornice topped with a frieze of openwork acanthus leaves on which rests a quiver, a bow and a crown of flowers. It rests on four arched scrolled legs.???????This beautifully crafted piece of furniture is distinguished by its elegance and decorative character. Width: 64cm, Height: 109cm, Depth: 41cm, Weight: 5kg, Condition: Condition of use, Material: Wood, ID: 12391
£2,086.53
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Late 19th Century Pair of Serving Platters in Paris Porcelain
sia antion, riga, latvia
We are delighted to present you with this unique find- an exceptional pair of Parisian porcelain serving bowlsplatters, boasting an intriguing design with eels gracefully coiling around the bases. These 32 cm diameter platters are adorned with lovely floral bouquets, complemented by fresh gilding, presenting an overall flawless condition. These platters are perfect for decorating a table setting or serving as a decorative centrepiece on a console or dresser. Originating from the late 19th century, this pair exudes timeless elegance. Width: 32cm, Height: 41cm, Depth: 2.5cm, Weight: 3.5kg, Condition: Condition of use, Material: Porcelain, ID: 12488
£1,515.93
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19th Century Andirons in Gilt Bronze, Signed by Ferdinand Barbedienne
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We present you with this beautiful pair of large andirons with their gilded bronze bar. They exemplify the exuberant Napoleon III style and they originate from the late 19th century. They are signed by the renowned French bronze artisan, metalworker and manufacturer Ferdinand Barbedienne (1810-1892). Impeccably preserved, they boast superior craftsmanship, characterised by intricate detailing and a refined gilded finish. These andirons are perfectly suited for an ornate fireplace of a château.Ferdinand Barbedienne (1810–1892) was a prominent French metalworker and founder celebrated for his exceptional contributions to the world of bronze artistry during the 19th century. Born in Paris, Barbedienne established his foundry in 1838, specialising in the production of high-quality bronze sculptures, furniture, and decorative arts. Renowned for his collaborations with renowned artists of his time, including Antoine-Louis Barye and Albert-Ernest Carrier-Belleuse, Barbedienne earned widespread acclaim for his impeccable craftsmanship and innovative casting techniques. His work was prominently showcased at international exhibitions, earning him numerous accolades, including the Legion of Honour. The legacy of Ferdinand Barbedienne endures through the exquisite and enduring bronze pieces bearing his name, exemplifying a pinnacle of artistic achievement during the 19th century. Width: 35cm, Height: 60cm, Depth: 17cm, Weight: 4kg, Condition: Condition of use, Material: Bronze, ID: 12482
£3,185.15
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18th Century Commode from the Louis XIV Regency Period
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We present you with this rare chest of drawers hailing from the Louis XIV Regency era in the 18th century. It has a gracefully curved facade which unfolds with four drawers arranged in three tiers as well as two asymmetrical drawers beneath its waist. This exquisite commode is coated with its authentic royal red marble atop, embellished further by a beak of corbin encircling its entire form which serves to embody timeless elegance. The dimensions of this commode are 127 cm in length, 58 cm in depth, and 87 cm in height. Width: 127cm, Height: 87cm, Depth: 58cm, Weight: kg, Condition: Condition of use, Material: Marble, ID: 12476
£4,275.25
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Tchokwé mask from Angola in wood and pigments - Circa 1900
sia antion, riga, latvia
Tchokwé mask from Angola once owned by the American Abstract Expressionist artist Merton D. Simpson (1928 - 2013) renowned both for his work and as a dealer and collector of early African art.The Tchokwe (or Tschokwe or Chokwe) are a people of Central and Southern Africa, mainly found in the Democratic Republic of Congo and Angola.This “Cihongo” mask is the masculine version of the feminine “Mwana Pwo” mask. It boasts an exceptional typology worthy of the finest museum pieces, with a finesse of execution and a red iron oxide patina of the finest style: the large, rounded, unobstructed forehead, marked with the cross of Saint Andrew, the left ear adorned with a metal buckle, the half-closed eyes imprinted with kaolin and the scarifications under the eyes that actually illustrate tears, the shape of the nose, the mouth with blunt teeth set off on a platform. Its hardly surprising that American collector Merton D. Simpson wanted to acquire it to complete his collection.The Cihongo embodies the representation of a male spirit symbolizing power and wealth. It is the spirit of a notable who must bring prosperity to the village and dispense justice. In the past, only the chief or the chiefs son could wear the Cihongo. These masks are topped by a fan-shaped headdress adorned with feathers. During ceremonies, this mask was worn over the costumes or the initiation headdress, and the dancer of noble blood wore rattles to set the rhythm of his dance. His costume consisted of a knitted raffia jumpsuit with long sleeves and tights. Over this, a fiber skirt gave rhythm to his movements. The dancers went from village to village, and were paid for the beneficial influence of their performances. Width: 14cm, Height: 23cm, Depth: 15.5cm, Weight: 2kg, Condition: Condition of use, Material: Ceramics, ID: 12388
£7,383.75
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Bamana N`tomo mask, Mali, 20th century
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Bamana Ntomo mask, Mali, 20th centuryGenerally surmounted by three to eight horns forming a comb, the Ntomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The masks discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence.Excerpt from Masques du Ntomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France.The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites.The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask.As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the Ntomo, Korè and Ci wara, appeared not only during initiation reclusion, but also at village entertainments.This Ntomo mask, dating from the mid-20th century, is highly graphic and stylized in design, with all the characteristics of Bamana initiation masks and a beautiful oiled brown patina. Width: 18cm, Height: 69cm, Depth: 15cm, Weight: 2kg, Condition: Condition of use, Material: Lacquered wood, ID: 12387
£3,125.53
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Ndoma Baule Portrait Mask, Ivory Coast, Wood, lacquered patina, Circa 1930
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Ndoma” Baule Portrait Mask, Ivory Coast, Circa 1930 Wood, heavy wood with deep brown-black lacquered patina.A superb old hardwood dance mask featuring an elegant, elongated female face with the fine, refined features characteristic of Ndoma Baoulé portrait masks.Ndoma portrait masks are the last figures to appear during entertainment ceremonies at dusk. Commissioned from a sculptor by one or more admirers, these masks are fashioned to pay tribute to a member of the community and celebrate his or her exceptional qualities: whether the beauty and elegance of a woman, the wisdom and experience of an elder, or the dexterity of a skilled hunter. When they are performed, the wearer of the ndoma mask is usually accompanied by the person he or she is honoring (or a substitute), and may sometimes wear clothes belonging to that person.This person, adorned in his or her most sumptuous finery, twirls around him or her, perfuming the air, covering the floor with fabric where the dancer moves, and behaving towards his or her double like a mother towards her child, in a gesture imbued with veneration and tenderness.Here, the central crest hairstyle is framed by two lateral braids and topped by a turtle (which retains traces of blue pigment), while the forehead and cheeks are marked by protruding keloids. The slightly raised superciliary arches extend into a long, slender nose and a mouth revealing two rows of filed teeth, as was customary among women before the 1920s. The straight, very fine nose and prognathic mouth are other classic features of Baule masks.Also noteworthy is the superb brown-black lacquered patina. Width: 15.5cm, Height: 31.5cm, Depth: 14cm, Weight: 2kg, Condition: Condition of use, Material: Lacquered wood, ID: 12386
£4,547.78
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Portrait of a young woman in an gilt oval frame, pastel drawing, 18th century
sia antion, riga, latvia
Portrait of a Young Woman, pastel drawing, presented in its original oval frame protected by glass, 18th centuryDelightful portrait of a young noblewoman in the fashion of the late 18th century, with a pretty bodice and a ribbon bow around her neck.She also wears a flower and pearls in her gray hair, gathered into a bun as was customary for Court courtesans.She has a beautiful gaze, and fixes the viewer with her blue eyes with an air of benevolence, amusement and great gentleness.A graceful and very pleasing painting: ideal as a gift for a young woman, to be displayed in a dressing room or inserted into a portrait gallery. Width: 41.5cm, Height: 47cm, Depth: 5cm, Weight: 1kg, Condition: Condition of use, Material: Oil painting, ID: 12383
£1,328.56
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Ciwara Bambara headdress in carved wood and basketry, Mali, Early 20th century
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A very pleasing Ciwara crest, singularly small and accompanied by its original headdress, depicting a stylized antelope leaning on a pangolin. The antelope is ridden by a woman, and white horsehair has been added to the tips of the horns. The piece is carefully sculpted, with notches decorating the bodies of the antelope and the pangolin.Rattan, plant fiber, cowries, wood Very fine velvety mat patina, Circa 1950An animal called Ciwara is said to have taught the Bambara how to cultivate the land, and during agrarian ceremonies, they recall the myth through the stylized representation of an antelope whose name ci wara means “fawn of the earth”.During these ritual ceremonies, the mask-cimier became the attribute of a costumed dancer who gave it life and speech.Worn at the top of the skull and held in place by a sort of small wickerwork cap, these crests accompanied the dancers during rituals dedicated to agricultural work.The masks would leap across the field to chase away evil spirits, revive seeds and restore vitality to crops. Width: 24cm, Height: 44cm, Depth: 19cm, Weight: 1kg, Condition: Condition of use, Material: Lacquered wood, ID: 12381
£1,618.12
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Collection of Kriss Handles, Java, Indonesia, Late 18th Early 19th Century
sia antion, riga, latvia
A set of thirteen kriss handles originating from Java, Indonesia, dating from the late 18th to early 19th century.Beautiful aged patina in dark or amber tones. Exquisite carving work featuring zoomorphic motifs, floral designs, and deities.Height ranges from 8 to 12 cm – Width: 4 to 5 cmThe kriss is a traditional weapon, consisting of a long dagger or a slender sword with a blade that can be straight or wavy, sharpened on both edges. The earliest known krisses date back to the 14th century and are believed to have originated in Java. However, much older depictions can be seen in the bas-reliefs of the Borobudur and Prambanan temples, built in the 9th century in central Java.The kriss gained popularity in the 16th century, alongside the rise of maritime trade across Southeast Asia. Interestingly, until 1910, two krisses were featured on the national flag of the Kingdom of Thailand.Believed to possess magical powers, the kriss also serves a ritual purpose. Each one is crafted for a single owner, who is spiritually involved in the process with the blacksmith. So important is the kriss that it can symbolically stand in for its owner during ceremonies.In the 19th and 20th centuries, the kriss became especially popular due to its use in traditional Balinese dance performances. Since 2008, the kriss and the art of its craftsmanship have been inscribed on UNESCO’s list of Intangible Cultural Heritage of Humanity. Width: 4cm, Height: 12cm, Depth: 5cm, Weight: 1kg, Condition: Condition of use, Material: Lacquered wood, ID: 12339
£1,703.29
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Ibedji Statuette – Yoruba Culture, Nigeria, circa 1930 (20th century)
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Ibedji Statuette – Yoruba Culture, Nigeria, circa 1930 (20th century) This pair of male Ibedji statuettes originates from the Yoruba tribe in West Africa, specifically Nigeria. Amon... Width: 8cm, Height: 28cm, Depth: 8cm, Weight: 1kg, Condition: Condition of use, Material: Lacquered wood, ID: 12337
£1,703.29
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19th Century Oval Portrait of Aristocrat Girl in Gilded Frame
sia antion, riga, latvia
We present you with this unique oval portrait painting rendered in oil on canvas. It depicts a young girl from an esteemed family adorned in a dark blue dress with a small lace collar and a white scarf. The young girls expression is serious and contemplative. It is probable that she is the sibling of the other girl, depicted in the artwork featured in our stores prior advertisement, and as such, they can be offered for purchase as a complementary set. The gilded wooden frame is adorned with ribbons culminating in a bow at its summit, indicative of the artistic aesthetics prevalent during the epoch of Louis Philippe.The measurements of this painting are 65 cm in height without the frame and 92 cm with the frame. As for its width, it measures 54 cm without the frame and 72 cm with the frame. Width: 72cm, Height: 92cm, Depth: 5.5cm, Weight: 1kg, Condition: Condition of use, Material: Canvas, ID: 12483
£2,512.35
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Flame Colored Copper Painting by Arthur UNGER. Signed.
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Arthur UNGER (1932- )Crafted through the intricate process of flame-painting on copper, this piece showcases an explosion of vibrant colors, from rich copper tones to iridescent pinks and greens. The unique patterns and textures are the result of intense heat transforming the metal, creating a one-of-a-kind work of art that cannot be replicated.This piece is sold without a frame.BiographyArthur Unger was born in 1932 in the city of Hespérange, Luxembourg.After graduting, he follows administration and management courses in Bruxelles, and then settle in Belgian Congo, where he had lived for 5 years, and specially with the tribes Lunda and Baluba. This long African journey is very important for the development of Arthur’s art.In 1963, back to Europe, he settles in Paris. There, he discovers the artistic life of the French Capital and makes his first drawings and gouaches.In 1968, he came back to Luxembourg, and invents a technique of drawing with Inidian Ink, and a painting technique uppon brass, using electrolytic cupper which became his favourite medium (he calls his new technique « pyrochemograms uppon cupper »).In 1970, he meets Michel Tapié ; it is a major event in the artistic life of Arthur. Tapié is very interested in Arthur’s work and writes the forewords of all the exhibitions by Arthur Unger in France and in the world. In 1980, Michel Tapié dedicated a monograph to Arthur Unger at the Galerie Sources in Paris.The personal exhibitions of the works of Arthur Unger mainly take place in France, in Luxembourg, in Germany and in Switzerland (three times at the Basel Art Fair). Width: 30cm, Height: 40cm, Depth: 0.1cm, Weight: 0.8kg, Condition: Condition of use, Material: Copper, ID: 12427
£1,532.96
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X Frame 19th Century Stool
victoria antiques cornwall, wadebridge, united kingdom
Offered for sale is this original and unrestored 19th Century antique X framed tapestry stool.
£160.00
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