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antiques miscellaneous
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19th Century Pair of Putti Andirons in Gilt Bronze
sia antion, riga, latvia
We present you this wonderful pair of 19th-century andirons in gilt bronze. They represent cherubic figures, also known as putti, gazing at each another. These andirons have been meticulously cleaned and are remain impeccable condition. Moreover, their iron backs have been polished to give them a gun barrel-like finish. Dating back to the Napoleon III era, they would make a fantastic choice for enhancing the decor of any luxurious apartment. Width: 52cm, Height: 29cm, Depth: 19cm, Weight: 5kg, Condition: Condition of use, Material: Bronze, ID: 12494
£2,766.25
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19th Century Andirons in Gilt Bronze, Signed by Ferdinand Barbedienne
sia antion, riga, latvia
We present you with this beautiful pair of large andirons with their gilded bronze bar. They exemplify the exuberant Napoleon III style and they originate from the late 19th century. They are signed by the renowned French bronze artisan, metalworker and manufacturer Ferdinand Barbedienne (1810-1892). Impeccably preserved, they boast superior craftsmanship, characterised by intricate detailing and a refined gilded finish. These andirons are perfectly suited for an ornate fireplace of a château.Ferdinand Barbedienne (1810–1892) was a prominent French metalworker and founder celebrated for his exceptional contributions to the world of bronze artistry during the 19th century. Born in Paris, Barbedienne established his foundry in 1838, specialising in the production of high-quality bronze sculptures, furniture, and decorative arts. Renowned for his collaborations with renowned artists of his time, including Antoine-Louis Barye and Albert-Ernest Carrier-Belleuse, Barbedienne earned widespread acclaim for his impeccable craftsmanship and innovative casting techniques. His work was prominently showcased at international exhibitions, earning him numerous accolades, including the Legion of Honour. The legacy of Ferdinand Barbedienne endures through the exquisite and enduring bronze pieces bearing his name, exemplifying a pinnacle of artistic achievement during the 19th century. Width: 35cm, Height: 60cm, Depth: 17cm, Weight: 4kg, Condition: Condition of use, Material: Bronze, ID: 12482
£3,233.06
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18th Century Commode from the Louis XIV Regency Period
sia antion, riga, latvia
We present you with this rare chest of drawers hailing from the Louis XIV Regency era in the 18th century. It has a gracefully curved facade which unfolds with four drawers arranged in three tiers as well as two asymmetrical drawers beneath its waist. This exquisite commode is coated with its authentic royal red marble atop, embellished further by a beak of corbin encircling its entire form which serves to embody timeless elegance. The dimensions of this commode are 127 cm in length, 58 cm in depth, and 87 cm in height. Width: 127cm, Height: 87cm, Depth: 58cm, Weight: kg, Condition: Condition of use, Material: Marble, ID: 12476
£4,339.56
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19th Century Fireplace Screen in Gilt Bronze
sia antion, riga, latvia
This exquisite fireplace screen is crafted in the shape of a peacock and features eight retractable elements. The bronze exhibits superb gilding, with minor signs of wear on the most exposed areas of this piece. It is in flawless working condition and dates back to the 19th century. Width: 80cm, Height: 60cm, Depth: 1cm, Weight: 6kg, Condition: Condition of use, Material: Bronze, ID: 12459
£1,296.68
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18th Century French Antique Paravent Screen with Three Leaves
sia antion, riga, latvia
Presenting you this 18th-century antique three-leaf folding screen with oil-on-canvas paintings on the front and oil-on-paper paintings on the back.Some tears consistent with the age and use of this piece can be seen in the paper on the reverse, however the front side of this piece is in excellent condition. Each of the three paintings consists of elements referring to music, warriors, and agricultural objects. Width: 180cm, Height: 157cm, Depth: 4cm, Weight: 10kg, Condition: Condition of use, Material: Lacquered wood, ID: 12456
£1,728.91
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19th Century Kukukuku Club from Highlands Papua
sia antion, riga, latvia
This rare antique Kukukuku (pronounced cookah-cookah) war club is from the remote highlands of Papua New Guinea. It features a head made of stone in the characteristic pineapple shape.These clubs are the most common type of club found in Papua New Guinea They come from throughout much of the country.The war clubs have a variety of different shaped stone heads and it is often the shape of the head that determines the value. Complex pineapple-shaped club heads are generally better than disk or ball-shaped stones. Width: 10cm, Height: 70cm, Depth: 3cm, Weight: 3kg, Condition: Condition of use, Material: Stoneware, ID: 12449
£1,158.37
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Louis XV style gilded wood firescreen, 19th century
sia antion, riga, latvia
Louis XV style gilded wood fire screen, 19th centuryCarved gilded wood fire screen decorated with a tapestry with original stitches representing the abduction of Europa.The surround is made up of detached columns topped with rosettes and pompoms.The frame is decorated with pearl rays with a cornice topped with a frieze of openwork acanthus leaves on which rests a quiver, a bow and a crown of flowers. It rests on four arched scrolled legs.???????This beautifully crafted piece of furniture is distinguished by its elegance and decorative character. Width: 64cm, Height: 109cm, Depth: 41cm, Weight: 5kg, Condition: Condition of use, Material: Wood, ID: 12391
£2,117.91
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Bamana N`tomo mask, Mali, 20th century
sia antion, riga, latvia
Bamana Ntomo mask, Mali, 20th centuryGenerally surmounted by three to eight horns forming a comb, the Ntomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The masks discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence.Excerpt from Masques du Ntomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France.The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites.The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask.As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the Ntomo, Korè and Ci wara, appeared not only during initiation reclusion, but also at village entertainments.This Ntomo mask, dating from the mid-20th century, is highly graphic and stylized in design, with all the characteristics of Bamana initiation masks and a beautiful oiled brown patina. Width: 18cm, Height: 69cm, Depth: 15cm, Weight: 2kg, Condition: Condition of use, Material: Lacquered wood, ID: 12387
£3,172.54
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Ndoma Baule Portrait Mask, Ivory Coast, Wood, lacquered patina, Circa 1930
sia antion, riga, latvia
Ndoma” Baule Portrait Mask, Ivory Coast, Circa 1930 Wood, heavy wood with deep brown-black lacquered patina.A superb old hardwood dance mask featuring an elegant, elongated female face with the fine, refined features characteristic of Ndoma Baoulé portrait masks.Ndoma portrait masks are the last figures to appear during entertainment ceremonies at dusk. Commissioned from a sculptor by one or more admirers, these masks are fashioned to pay tribute to a member of the community and celebrate his or her exceptional qualities: whether the beauty and elegance of a woman, the wisdom and experience of an elder, or the dexterity of a skilled hunter. When they are performed, the wearer of the ndoma mask is usually accompanied by the person he or she is honoring (or a substitute), and may sometimes wear clothes belonging to that person.This person, adorned in his or her most sumptuous finery, twirls around him or her, perfuming the air, covering the floor with fabric where the dancer moves, and behaving towards his or her double like a mother towards her child, in a gesture imbued with veneration and tenderness.Here, the central crest hairstyle is framed by two lateral braids and topped by a turtle (which retains traces of blue pigment), while the forehead and cheeks are marked by protruding keloids. The slightly raised superciliary arches extend into a long, slender nose and a mouth revealing two rows of filed teeth, as was customary among women before the 1920s. The straight, very fine nose and prognathic mouth are other classic features of Baule masks.Also noteworthy is the superb brown-black lacquered patina. Width: 15.5cm, Height: 31.5cm, Depth: 14cm, Weight: 2kg, Condition: Condition of use, Material: Lacquered wood, ID: 12386
£4,616.18
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Ciwara Bambara headdress in carved wood and basketry, Mali, Early 20th century
sia antion, riga, latvia
A very pleasing Ciwara crest, singularly small and accompanied by its original headdress, depicting a stylized antelope leaning on a pangolin. The antelope is ridden by a woman, and white horsehair has been added to the tips of the horns. The piece is carefully sculpted, with notches decorating the bodies of the antelope and the pangolin.Rattan, plant fiber, cowries, wood Very fine velvety mat patina, Circa 1950An animal called Ciwara is said to have taught the Bambara how to cultivate the land, and during agrarian ceremonies, they recall the myth through the stylized representation of an antelope whose name ci wara means “fawn of the earth”.During these ritual ceremonies, the mask-cimier became the attribute of a costumed dancer who gave it life and speech.Worn at the top of the skull and held in place by a sort of small wickerwork cap, these crests accompanied the dancers during rituals dedicated to agricultural work.The masks would leap across the field to chase away evil spirits, revive seeds and restore vitality to crops. Width: 24cm, Height: 44cm, Depth: 19cm, Weight: 1kg, Condition: Condition of use, Material: Lacquered wood, ID: 12381
£1,642.46
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Collection of Kriss Handles, Java, Indonesia, Late 18th Early 19th Century
sia antion, riga, latvia
A set of thirteen kriss handles originating from Java, Indonesia, dating from the late 18th to early 19th century.Beautiful aged patina in dark or amber tones. Exquisite carving work featuring zoomorphic motifs, floral designs, and deities.Height ranges from 8 to 12 cm – Width: 4 to 5 cmThe kriss is a traditional weapon, consisting of a long dagger or a slender sword with a blade that can be straight or wavy, sharpened on both edges. The earliest known krisses date back to the 14th century and are believed to have originated in Java. However, much older depictions can be seen in the bas-reliefs of the Borobudur and Prambanan temples, built in the 9th century in central Java.The kriss gained popularity in the 16th century, alongside the rise of maritime trade across Southeast Asia. Interestingly, until 1910, two krisses were featured on the national flag of the Kingdom of Thailand.Believed to possess magical powers, the kriss also serves a ritual purpose. Each one is crafted for a single owner, who is spiritually involved in the process with the blacksmith. So important is the kriss that it can symbolically stand in for its owner during ceremonies.In the 19th and 20th centuries, the kriss became especially popular due to its use in traditional Balinese dance performances. Since 2008, the kriss and the art of its craftsmanship have been inscribed on UNESCO’s list of Intangible Cultural Heritage of Humanity. Width: 4cm, Height: 12cm, Depth: 5cm, Weight: 1kg, Condition: Condition of use, Material: Lacquered wood, ID: 12339
£1,728.91
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Seascape with Sailing Vessel by Alexander Reich-Staffelstein, 20th Century
sia antion, riga, latvia
A dramatic and finely executed marine oil painting by Alexander Reich-Staffelstein, a noted early 20th-century German seascape artist. The work depicts a sailing vessel cutting through choppy waters beneath a heavy, clouded sky. A shaft of light breaks through the clouds and illuminates the sea’s surface, casting a silvery glow that guides the eye toward the horizon. Smaller ships dot the distance, emphasizing the sense of scale and open sea.Painted with precision and atmosphere, this work reflects Reich-Staffelstein’s mastery of light and movement in maritime settings. The subtle gradations in the sky and the dynamic rendering of the waves speak to the artist’s academic training and romantic sensibility.Signed “A. Reich-Staffelstein” in the lower right and presented in a well-preserved, period silver-toned frame that enhances the overall harmony of the scene. Width: 122cm, Height: 88cm, Depth: 5cm, Weight: 15kg, Condition: Condition of use, Material: Canvas, ID: 15396
£2,653.87
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Late 19th Century Pair of Serving Platters in Paris Porcelain
sia antion, riga, latvia
We are delighted to present you with this unique find- an exceptional pair of Parisian porcelain serving bowls/platters, boasting an intriguing design with eels gracefully coiling around the bases. These 32 cm diameter platters are adorned with lovely floral bouquets, complemented by fresh gilding, presenting an overall flawless condition. These platters are perfect for decorating a table setting or serving as a decorative centrepiece on a console or dresser. Originating from the late 19th century, this pair exudes timeless elegance. Width: 32cm, Height: 41cm, Depth: 2.5cm, Weight: 3.5kg, Condition: Condition of use, Material: Porcelain, ID: 12488
£1,538.73
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Tchokwé mask from Angola in wood and pigments - Circa 1900
sia antion, riga, latvia
Tchokwé mask from Angola once owned by the American Abstract Expressionist artist Merton D. Simpson (1928 - 2013) renowned both for his work and as a dealer and collector of early African art.The Tchokwe (or Tschokwe or Chokwe) are a people of Central and Southern Africa, mainly found in the Democratic Republic of Congo and Angola.This “Cihongo” mask is the masculine version of the feminine “Mwana Pwo” mask. It boasts an exceptional typology worthy of the finest museum pieces, with a finesse of execution and a red iron oxide patina of the finest style: the large, rounded, unobstructed forehead, marked with the cross of Saint Andrew, the left ear adorned with a metal buckle, the half-closed eyes imprinted with kaolin and the scarifications under the eyes that actually illustrate tears, the shape of the nose, the mouth with blunt teeth set off on a platform. Its hardly surprising that American collector Merton D. Simpson wanted to acquire it to complete his collection.The Cihongo embodies the representation of a male spirit symbolizing power and wealth. It is the spirit of a notable who must bring prosperity to the village and dispense justice. In the past, only the chief or the chiefs son could wear the Cihongo. These masks are topped by a fan-shaped headdress adorned with feathers. During ceremonies, this mask was worn over the costumes or the initiation headdress, and the dancer of noble blood wore rattles to set the rhythm of his dance. His costume consisted of a knitted raffia jumpsuit with long sleeves and tights. Over this, a fiber skirt gave rhythm to his movements. The dancers went from village to village, and were paid for the beneficial influence of their performances. Width: 14cm, Height: 23cm, Depth: 15.5cm, Weight: 2kg, Condition: Condition of use, Material: Ceramics, ID: 12388
£7,494.81
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Chairs by Eugenio Gerli for Tecno PS 142, 1970`s
sia antion, riga, latvia
An exceptional PS 142 easy chairs designed by Eugenio Gerli for Tecno, Italy, circa 1970s.These sculptural lounge chairs embody the innovative spirit of Italian modernism, seamlessly blending form and function with a bold, organic aesthetic.Upholstered in their original burnt orange textured fabric, the chairs feature gently curved silhouettes with integrated armrests and enveloping backrests that offer both visual appeal and ergonomic comfort. The low, wide profile is complemented by discreet caster wheels, a signature design detail that enhances mobility without compromising the clean lines.Well-preserved and visually striking, this pair is ideal for collectors or interior designers looking to introduce iconic 20th-century Italian design into a contemporary or vintage-inspired setting. A rare opportunity to acquire a matching set of this sought-after model. Width: 67cm, Height: 80cm, Depth: 67cm, Weight: kg, Condition: Condition of use, Material: 0, ID: 15378
£4,192.60
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Pair of Lounge Chairs, Ico Parisi for Ariberto Colombo, 20th Century
sia antion, riga, latvia
An iconic pair of mid-century lounge chairs designed by the designer Ico Parisi for Ariberto Colombo, crafted in Italy during the 1950s. These sculptural chairs exemplify Parisi’s masterful fusion of modernist lines and organic forms, showcasing a confident and timeless Italian design sensibility.Featuring gently flared arms, wide angular backs, and plush seating, the chairs offer both visual elegance and superior comfort. Their subtle curves and clean geometry reflect Parisi’s architectural background, while the tapered wooden legs add a light, refined touch that contrasts beautifully with the bold form.Both in very good condtion. Width: 74cm, Height: 85cm, Depth: 84cm, Weight: kg, Condition: Condition of use, Material: 0, ID: 15363
£5,765.91
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Venetian Sunset – Oil Painting in Carved Giltwood Frame, 19th Century
sia antion, riga, latvia
A stunning 19th-century oil on canvas depicting a romantic Venetian harbor at sunset, painted in the classical tradition of European landscape art. This atmospheric composition captures the timeless beauty of Venice, featuring gondolas and sailboats gliding across the shimmering water, set against the backdrop of iconic architecture, including what appears to be the Basilica di Santa Maria della Salute and the Campanile of San Marco.The warm, golden hues of the sky blend gracefully with the cooler blues of the lagoon, creating a luminous and tranquil scene rich in depth and movement.The painting is presented in its original hand-carved wooden frame, finished in a luxurious antique gold. The frame features intricate detailing that complements the elegance and grandeur of the artwork, adding both historical charm and decorative appeal. Width: 90cm, Height: 76cm, Depth: 7cm, Weight: kg, Condition: Condition of use, Material: 0, ID: 15380
£4,616.18
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A small, beautiful desk with inlays
sia antion, riga, latvia
A small, beautiful desk with inlays.England.1880s.Mahogany, inlays, brass, leather.Dimensions: height 74;97cm; length 92cm; depth 50cm Width: 0cm, Height: 0cm, Depth: 0cm, Weight: 0kg, Condition: , Material: , ID: 12633
£720.09
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19th Century Oval Portrait of Aristocrat Girl in Gilded Frame
sia antion, riga, latvia
We present you with this unique oval portrait painting rendered in oil on canvas. It depicts a young girl from an esteemed family adorned in a dark blue dress with a small lace collar and a white scarf. The young girls expression is serious and contemplative. It is probable that she is the sibling of the other girl, depicted in the artwork featured in our stores prior advertisement, and as such, they can be offered for purchase as a complementary set. The gilded wooden frame is adorned with ribbons culminating in a bow at its summit, indicative of the artistic aesthetics prevalent during the epoch of Louis Philippe.The measurements of this painting are 65 cm in height without the frame and 92 cm with the frame. As for its width, it measures 54 cm without the frame and 72 cm with the frame. Width: 72cm, Height: 92cm, Depth: 5.5cm, Weight: 1kg, Condition: Condition of use, Material: Canvas, ID: 12483
£2,550.14
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Flame Colored Copper Painting by Arthur UNGER. Signed.
sia antion, riga, latvia
Arthur UNGER (1932- )Crafted through the intricate process of flame-painting on copper, this piece showcases an explosion of vibrant colors, from rich copper tones to iridescent pinks and greens. The unique patterns and textures are the result of intense heat transforming the metal, creating a one-of-a-kind work of art that cannot be replicated.This piece is sold without a frame.BiographyArthur Unger was born in 1932 in the city of Hespérange, Luxembourg.After graduting, he follows administration and management courses in Bruxelles, and then settle in Belgian Congo, where he had lived for 5 years, and specially with the tribes Lunda and Baluba. This long African journey is very important for the development of Arthur’s art.In 1963, back to Europe, he settles in Paris. There, he discovers the artistic life of the French Capital and makes his first drawings and gouaches.In 1968, he came back to Luxembourg, and invents a technique of drawing with Inidian Ink, and a painting technique uppon brass, using electrolytic cupper which became his favourite medium (he calls his new technique « pyrochemograms uppon cupper »).In 1970, he meets Michel Tapié ; it is a major event in the artistic life of Arthur. Tapié is very interested in Arthur’s work and writes the forewords of all the exhibitions by Arthur Unger in France and in the world. In 1980, Michel Tapié dedicated a monograph to Arthur Unger at the Galerie Sources in Paris.The personal exhibitions of the works of Arthur Unger mainly take place in France, in Luxembourg, in Germany and in Switzerland (three times at the Basel Art Fair). Width: 30cm, Height: 40cm, Depth: 0.1cm, Weight: 0.8kg, Condition: Condition of use, Material: Copper, ID: 12427
£1,556.02
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X Frame 19th Century Stool
victoria antiques cornwall, wadebridge, united kingdom
Offered for sale is this original and unrestored 19th Century antique X framed tapestry stool.
£160.00
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Wonderful Antique Late 19th Century Oak Refectory Table
victoria antiques cornwall, wadebridge, united kingdom
This wonderful oak refectory table was made in the late 19th century and has been created by a really skillful craftsman. The top has four thick oak planks pegged to the end pieces. The table...
£1,250.00
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Wonderful 18th Century Oak Coffer with Keys
victoria antiques cornwall, wadebridge, united kingdom
This is a wonderful 18th century oak coffer. The oak has a gorgeous warm age related patina throughout. The coffer has a three plank hinged lid, there is an area of staining to one side....
£295.00
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William IV Fusee Drop Dial Clock
victoria antiques cornwall, wadebridge, united kingdom
This is a good antique William IV antique figured mahogany drop dial wall clock, with brass inlay and visual pendulum. It has a 12? dial with a cast brass bezel.
£895.00
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Well Carved Dual Stool
victoria antiques cornwall, wadebridge, united kingdom
Well carved dual stool with a silk brocade upholstered covering , exceptional good quality in all respects and would grace any household.
£550.00
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