antique collectibles: other collectables
Other antique collectibles that don't fall within any of the other categories.
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Magnifier in gold frame.
sia antion, riga, latvia
Elegant magnifier in a gold frame with a pen in the form of a curl and decorative trim from jasper on the body.Weight 30 gr. Width: 2.5cm, Height: 8cm, Depth: 4cm, Weight: 0.04kg, Condition: Excellent, Material: Glass, ID: 474
£1,996.70
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19th century English gold pill box with diamonds and guilloché enamel.
sia antion, riga, latvia
English gold pill box 750, with blue guilloché enamel and diamonds. 1x3x2.5 cm. Weight: 28.3 g. Width: 3cm, Height: 1cm, Depth: 2.5cm, Weight: 0.05kg, Condition: Good, Material: Diamonds, ID: 8610
£2,604.39
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Gold and enamel snuffbox, circa 1795.
sia antion, riga, latvia
Small, gold snuffbox, oval shape with enamel painting and pearls. France, circa 1795. The cover depicts a young couple staying on the shore and saying goodbye to the boat. The medallion is decorated in pearls, gold pattern on a blue background. Hallmarks of the master and samples of gold on the base. Length: 4.7 cm. Weight: 18 gr. Width: 3cm, Height: 5cm, Depth: 1.5cm, Weight: 0.018kg, Condition: Good, with traces of use, Material: Pearl, ID: 6649
£3,646.15
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A cane handle made of silver, guilloche enamel and jade. Faberge, Julius Rappaport.
sia antion, riga, latvia
Handle for a cane made of silver, guilloche enamel and jade. Faberge Jewelry House, master Julius Rappoport, St. Petersburg, 1899-1904. The handle is angular, made of jade with a cast and chased silver chimpanzee hugging it, with ruby beaded eyes. A collar made of guilloche red enamel with a fastening mechanism inside is framed by hammered edges of leaves, with the initials of the master, the hallmark of C. Faberge inside. 88 standard silver. Hallmarks on the monkey: K. Faberge under the coat of arms of the supplier of the imperial court. I.P. - Julius Rappoport. 88 silver, St. Petersburg 1899-1904.H-9.5 cm. L-8.2 cm. Width: 8.2cm, Height: 9.5cm, Depth: 2cm, Weight: 0.5kg, Condition: Very good, Material: Nephritis, ID: 3761
£10,851.64
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Snuffbox, St. Petersburg, I. MARSHAK.
sia antion, riga, latvia
Joseph Abramovich Marshak, Blue guilloche enamel snuffbox, Saint Petersburg, 1899-1908 Austere and graceful silver snuff-box with radiating rays around the diamond of the luminary, in laurel garlands of two-colored gold along the margins of the lid. Hallmarks: firms I. MARSHAK. St. Petersburg. 1899-1908. 88 silver fineness. Letters "IB" corresponding to the brand of the master Ivan Britsyn Dimensions : 7x3.7x1.5 cm. Jeweler Britsyn Ivan Savelyevich (1870 - 1952) More Width: 7cm, Height: 1.5cm, Depth: 3.7cm, Weight: 0.15kg, Condition: Very good, Material: Diamond, ID: 3760
£4,774.72
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Golden powder box. Violettes Paris. Around 1860.
sia antion, riga, latvia
Round gold enamel powder box Violettes Paris circa 1860. On a noble, dark brown background with a golden net and antique grotesques, the lid depicts a preening nymph with a cupid adorning her hair. The vignette at the base depicts a flirtatious scene, apparently with the same cherub, dove and basket of flowers, again in pursuit of the escaping mistress. Labeled: Violettes Paris. On the inside of the rim there is a memorial date: April 18, 1880. Parisian gold hallmarks from 1838, corresponding to 750 standard, are on the bottom of the powder compact. Inside the lid there is an original mirror. Height: 3cm. length-5cm. Weight:73.94g Width: 5cm, Height: 3cm, Depth: 5cm, Weight: 0.2kg, Condition: Good, Material: Enamel, ID: 3614
£3,906.59
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Snuffbox in two-tone gold. France. The turn of the 19th-20th centuries.
sia antion, riga, latvia
Strict and elegant snuffbox made of two-tone, 14 carat gold, in the neoclassical style. France. The turn of the 19th-20th centuries. Decorated with engraved stripes, plant garlands along the edge of the planes, and lyres at the nodes of the composition. Gold hallmarks on the inside of the lid. Dimensions: length - 101.5 mm, width - 37.2 mm, height - 31 mm. Weight: 154.1 gr. Width: 10.12cm, Height: 3.72cm, Depth: 3.1cm, Weight: 0.150kg, Condition: Very good, Material: Gold 14K, ID: 7867
£7,379.11
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A. Lanin. Buffoon. Monotype. 1965.
sia antion, riga, latvia
A. Lanin. Buffoon. Monotype. 1965. Author`s technique. Abstract composition of the Second Russian avant-garde. The edges of the sheet are slightly frayed. Width: 50cm, Height: 81cm, Depth: 1cm, Weight: 0.5kg, Condition: Good, Material: Paper, ID: 5642
£1,041.76
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École du XIXe siècle, paire de natures mortes
sia antion, riga, latvia
Paire de pastels sur papier montés sur châssis dans leur cadre en bois de chêne de la fin du XIXème siècle. Nature morte formant pendants, lun aux raisins et pêches, lautre symbolisant le retour de la chasse. Pastel aux raisins et pêches signé (illisible) en haut à gauche. Dimensions Pastel Hauteur : 37 cm Largeur : 54 cm Epoque : 1890 Origine : Europe Matériaux : Pastels sur papier et cadre en chêne Width: 64cm, Height: 47cm, Depth: 3.5cm, Weight: 5kg, Condition: Signs of wear commensurate with age, Material: Gouache on paper, ID: 8825
£482.68
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A. Lanin. Artist. Monotype. 1966.
sia antion, riga, latvia
A. Lanin. Artist. Author`s Monotype. 1966 year. Criminally Christian expression. The edges of the sheet are slightly frayed. Width: 49cm, Height: 83cm, Depth: 1cm, Weight: 5kg, Condition: Good, Material: Paper, ID: 5641
£1,041.76
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A. Lanin. Masks. Monotype. 1966.
sia antion, riga, latvia
August Lanin. Masks. Author`s monotype 1966. Cubo-constructivist fantasy. The edges of the sheet are frayed. Width: 49cm, Height: 84cm, Depth: 1cm, Weight: 0.5kg, Condition: Good, Material: Paper, ID: 5639
£1,041.76
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Triptych with three parts Deesis tier. 19th century.
sia antion, riga, latvia
Cast triptych with three parts Deesis tier. Presumably Moscow. Russia, 19th century. Material: copper alloy, casting. Size: 14x38 cm. Width: 38cm, Height: 14cm, Depth: 1cm, Weight: 0.673kg, Condition: Good, Material: Bronze, ID: 11791
£303.85
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Icon of Saint Alexander Nevsky. Russia 1920
sia antion, riga, latvia
Body-worn icon of the Holy Blessed Grand Duke Alexander Nevsky, made using the Enamel technique with a silver frame. Hallmarks: masters of the letter AN, hallmark 84 Width: 2cm, Height: 2.8cm, Depth: 1cm, Weight: 0.1kg, Condition: Signs of wear commensurate with age, Material: Silver 84, ID: 5581
£243.08
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Icon of St. Alexandra. The turn of the 19th and 20th centuries.
sia antion, riga, latvia
The chamber icon, a pocket altar of St. Alexandra, on a parquet board, bears a full-length, blessing image of the saint on a golden background. Dressed in royal clothes, covered with a scarlet cloak, she overshadows with a cross and a heart, to which she presses her hand. The festive, radiant, humble anticipation is enlivened by the dynamic Art Nouveau pattern in the upper corners of the icon. This is a symbolic symbiosis of a flower, sun, capitals in the architecture of a better world. Width: 9cm, Height: 22cm, Depth: 2cm, Weight: 0.8kg, Condition: Good, Material: Wood, gesso, gilding, tempera, ID: 5448
£1,041.76
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Icon of the Sign of the Most Holy Theotokos. Russia. Second half of the 19th century
sia antion, riga, latvia
The Icon of the Sign of the Most Holy Theotokos (also known as Oranta) is one of the most revered subjects of Orthodox iconography in Rus`. The miraculous image, kept in Veliky Novgorod, served as the source of numerous copies that over the centuries spread throughout the provinces of the Russian Empire, preserving their spiritual and cultural significance to this day. This icon was painted in the second half of the 19th century in one of the icon-painting workshops in central Russia. It is executed in the style of life-likeness, which was especially popular in imperial Russia of that period. The image of the Mother of God and the Infant Christ attracts attention with its contrast and expressive laconism. The faces of the Mother of God and the Infant God, executed with an emphasis on the eyes, create a deep emotional connection with the worshiper, which emphasizes its spiritual strength and significance. The icon is in good collection condition and does not require additional restoration work. Dimensions of the work: height - 18 cm, width - 14 cm. Material: board, tempera. Width: 14cm, Height: 18cm, Depth: 1.9cm, Weight: 0.268kg, Condition: , Material: Oil, ID: 11789
£147.58
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Icon Nicholas the Wonderworker
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Icon Nicholas the Wonderworker - Bronze Width: 6cm, Height: 9cm, Depth: 0.5cm, Weight: 0.06kg, Condition: Good, Material: Bronze, ID: 2642
£52.09
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Russian icon of the Pantocrator on a thick cypress board from the mid-19th century.
sia antion, riga, latvia
Impressive and heavy Icon of the Pantocrator on a thick cypress board without dowels, mid-19th century. Canonically represents the half-figure of Christ with a blessing gesture and an open Gospel. With titles in baroque cartouches on the sides of the halo and an ornamental belt separating the image from the margins. On which are presented: St. Michael the Scribe and St. Agnia the Martyr. The order of execution and the dimensions of the expensive board require special care and quality of painting. Even now it is a monument to the icon painting art of the mid-19th century, bearing the imprint of noble sublimity, decorative and stylistic harmony. The influence of the second baroque is summed up by the contrasts of the black lines of the cartouches and the black and gold belt around the dark chitin of the Pantocrator. All around, muted olive tones of flowers convey a general atmosphere of humanized warmth and meekness. The aura of mercy is emitted by the faded, craquelure background of the icon and the soft color of the fields, preserving the nostalgia of a long time ago and a thing made with love. Russia 1850-1860. Icon size: 40x34.2 x4.4 cm. Width: 34.2cm, Height: 40cm, Depth: 4.4cm, Weight: 3.573kg, Condition: Signs of wear commensurate with age, Material: Wood, gesso, gilding, tempera, ID: 8437
£1,085.16
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Cast icon Nicholas the Wonderworker. Russia 19th century
sia antion, riga, latvia
Cast icon Nicholas the Wonderworker. Russia 19th century. Dimensions: 10.5x9.5 cm. Width: 9.5cm, Height: 10.5cm, Depth: 0.2cm, Weight: 0.207kg, Condition: Good, Material: Bronze, ID: 11792
£130.22
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The image of the Protection of the Most Holy Theotokos. Mid-third quarter of the 19th century.
sia antion, riga, latvia
The image of the Protection of the Most Holy Theotokos. Midthird quarter of the 19th century. Possibly Vetka. The image, especially revered in Rus`, is a centric, Novgorod composition, in which the memory of getting rid of the Slavic raid on Constantinople in the 7th century is recorded. Then the weekly veneration of the protection of the Mother of God, which grew into a religious procession, saved the city. This solemnly fixes the upper case of the icon. In the lower one, the sweet singer Roman before the emperor and the queen sings hosanna to the Mother of God and Her intercession. In the right stamp, behind the pillar - the scene of the prophetic visitation of Roman by the Mother of God. Clean and precise writing on gold depicts the outline of a temple with five domes, with a bell tower and an annex at the top. The catchy pictorial coloring, including the upcoming ones (St. Nicholas, Evdokia, Agripina and the Archangel Radeniya) is similar to the manner of the Vetka masters of the middle third quarter of the 19th century. Icon dimensions: 44x37 cm. Width: 37cm, Height: 44cm, Depth: 3.5cm, Weight: 5kg, Condition: Good, Material: Wood, gesso, gilding, tempera, ID: 7884
£1,909.89
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Icon of St. Nicholas the Wonderworker
sia antion, riga, latvia
Cast icon of St. Nicholas the Wonderworker. Dimensions: 6x5.5 cm. Width: 5.5cm, Height: 6cm, Depth: 0.2cm, Weight: 0.070kg, Condition: As is, Material: Bronze, ID: 11793
£104.18
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Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
sia antion, riga, latvia
Rare, Russian, silver icon of Archangel Raphael, painted, cloisonné and champlevé enamels. Probably a complex, private order, presumably executed by the factory master P. Ovchinnikov. Intimate and at the same time festive, the breastplate bears a half-length image of Archangel Raphilus with holy scripture in his hands. The gentle face and folds of the Archangel’s clothes are subtly depicted in the shimmering purity of silver, affirming the sacred purity and holiness of the heavenly powers. The high reliquary fields of the icon and its reverse side are decorated in accordance with the neo-Russian style of the 19th century - a triangular pattern alternating with foliage and a cross with Gothic curls around the flowers. The eyelet for the lace, on a turning loop, is also decorated with belts of cloisonné and champlevé enamel. A charming monument to Russian style and spiritual purity of pre-revolutionary Russia at the end of the 19th century. 6.2x3.8 cm. Weight: 54 g. Width: 3.8cm, Height: 6.2cm, Depth: 0.7cm, Weight: 0.054kg, Condition: Good, Material: Enamel, ID: 8482
£10,851.64
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Icon of the prophets Zechariah and Daniel.
sia antion, riga, latvia
Prophets "Zechariah and Daniel". The turn of the 17-18 centuries. Yaroslavl school. Split from the iconostasis with restoration. Width: 63cm, Height: 80cm, Depth: 4cm, Weight: 12kg, Condition: As is, Material: Wood, gesso, gilding, tempera, ID: 4117
£2,604.39
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Icon of the Lord Almighty with a Scepter and Orb, Russia, circa 1908-1917
sia antion, riga, latvia
The icon The Lord Almighty is a striking example of Russian Art Nouveau in icon painting of the early 20th century. The image of the Savior is made on a smooth silver gilded background, which creates a shining effect and emphasizes the sacredness of the image. The face of the Lord is presented in a waist-length composition, the heavenly kingdom is revealed before Him. Traditional attributes, a scepter and orb - symbolize the power and omnipotence of the Savior. The icon frame is made in the form of a temple with domes, decorated with chased elements and curls symbolizing heavenly clouds. The composition is complemented by two red cabochons located in the lower part of the frame, which emphasizes the solemnity of the icon and its significance. The rounded corners of the frame add harmony, characteristic of Russian Art Nouveau, and the holder for hanging is made in strict geometric forms, which reflects the influence of late Art Nouveau. Hallmarks: The hallmark of the letter MK is presumably the hallmark of Mikhail Yegorovich Karpinsky, a hallmark in an oval shield of the Moscow District Assay Office, consisting of the numbers 84 indicating the sample; a woman`s head in a kokoshnik, facing right, corresponding to the period 1908-1917. The original red velvet is preserved on the reverse side of the icon. Dimensions: height 9 cm, width 6 cm. Thickness 1.5 cm. Product weight: 70 g Width: 6cm, Height: 9cm, Depth: 1.5cm, Weight: 0.070kg, Condition: Signs of wear commensurate with age, Material: Polychrome painting, ID: 11253
£8,247.24
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A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icon...
sia antion, riga, latvia
Magnificent holidays with a passionate row, an annual menaion and a two-row cycle of icons of the Mother of God - a kind of encyclopedia of the Mother of God images. A majestic monument to Christianity and late Russian icon painting, where in one image the annual and Mother of God universe of Orthodoxy is revealed, full of sacrifice. With the epicenter of suffering and resurrection, the testimony of all the upcoming saints and with hope in the miraculous images of the intercessor. The Virgin Mary series is interrupted by the marks of Unexpected Joy, Joy of All Who Sorrow, the Sign and Coronation of Mary - milestones of the communion and growth of spiritual truths. The Passion Series is composed of: the Ascension of Mary, the Old Testament Trinity, the Entry into Jerusalem, the Raising of Lazarus, the Washing of the Feet, the Last Supper, the Flagellation of Christ, the Imposition of the Crown of Thorns, the Carrying of the Cross, the Crucifixion, the Descent from the Cross and the Entombment. Particularly attractive is the rare completeness of the lists of icons of the Mother of God, which can serve as an encyclopedia of the Mother of God images. The bright decorative painting on a golden background sounds excitingly solemn and life-affirming. Cypress board, gesso, tempera, gilding. Russia. Second half of the 19th century. Dimensions: 53x44 cm. Width: 44cm, Height: 53cm, Depth: 3cm, Weight: 10kg, Condition: Signs of wear commensurate with age, Material: Wood, gesso, gilding, tempera, ID: 11192
£5,642.85
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Icon of the Holy Blessed Prince Alexander Nevsky in a silver frame. The turn of the 19th-20th cen...
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Icon of the Holy Blessed Prince Alexander Nevsky in a silver frame. Represents the classical composition of a saint standing near a table with Monomakhs hat. Iconography interprets a spiritual calling - above military glory and power. The princes gestures affirm sincere involvement in faith, submission to God and rejection of worldly paths. Moscow hallmarks of 84 standard silver of 1899-1908 on the crown and frame of the icon. The masters monograms are illegible. Dimensions: 22x18 cm. Width: 18cm, Height: 22cm, Depth: 2.3cm, Weight: 1kg, Condition: Good, with traces of use, Material: Silver 84, ID: 8698
£824.72
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