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Franz IFFLAND oversized sculpture blacksmith
sia antion, riga, latvia
19.20 century changed Franz IFFLAND (1862-1935) Sculptures of this size are extremely rare Bronze, signed, height 104cm Width: 40cm, Height: 104cm, Depth: 35cm, Weight: 45kg, Condition: Condition of use, Material: Bronze, ID: 11870
£7,366.19
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Bronze figure representing Kinjiro Ninomiya Sontoku, Japan, early-20th century, signed.
sia antion, riga, latvia
Bronze figure representing Kinjiro Ninomiya Sontoku, Japan, early-20th century, signed. Ninomiya Sontoku (?? ??, September 4, 1787 – November 17, 1856), born Ninomiya Kinjiro? (?? ???), was a prominent 19th-century Japanese agricultural leader, philosopher, moralist, and economist. Height: 45 cm. Signed on the base. Width: 25cm, Height: 55cm, Depth: 25cm, Weight: 15kg, Condition: Good, Material: Bronze, ID: 11602
£2,268.48
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A Young Boy with Hat – Brass Figure, Early 20th Century.
sia antion, riga, latvia
A Young Boy with Hat – Brass Figure, Early 20th. CenturyAn overpainted brass figure of a young boy wearing a hat. Height: 37 cm. Width: 20cm, Height: 40cm, Depth: 20cm, Weight: 10kg, Condition: Good, Material: Brass, ID: 11593
£475.79
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Emile Laporte (1858-1907) & Siot Paris Bronze Figure of a Boy with Cross
sia antion, riga, latvia
Emile Laporte (French, 1858-1907) – Bronze Sculpture Depicting a Shepherd Boy Holding a Cross. Signed E. Laporte on the side of the base, and further numbered 5066 with Siot Paris. Mainly in good condition, though the cross appears to have been broken into two parts and glued together afterward. Height: 35 cm. Width: 15cm, Height: 40cm, Depth: 15cm, Weight: 5kg, Condition: Wear, Material: Bronze, ID: 11591
£1,138.49
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Spring landscape
sia antion, riga, latvia
Canvas, oil. 27x54 cm Voronkov Vasily Egorovich. Width: 27cm, Height: 54cm, Depth: 27cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9421
£1,818.18
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Homeland
sia antion, riga, latvia
1940-1950. Paper, watercolor, tempera, pencil. 20x14 cm Niklavs Strunke. Width: 20cm, Height: 14cm, Depth: 14cm, Weight: 10kg, Condition: Condition of use, Material: Mixed media, ID: 9420
£399.32
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Portrait of a man
sia antion, riga, latvia
20th century. Canvas, oil. 50.5x40 cm. --. Width: 50.5cm, Height: 40cm, Depth: 40cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9417
£1,308.41
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Rural landscape
sia antion, riga, latvia
Canvas, oil. 34x49 cm Vitalijs Kalvans. Width: 34cm, Height: 49cm, Depth: 34cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9416
£331.35
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Autumn landscape
sia antion, riga, latvia
Canvas, oil. 67.5x56 cm Emma Baltmane. Width: 67.5cm, Height: 56cm, Depth: 56cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9415
£416.31
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Figural composition
sia antion, riga, latvia
Paper, sepia. 30.5x18.5 cm Niklavs Strunke. Width: 30.5cm, Height: 18.5cm, Depth: 18.5cm, Weight: 10kg, Condition: Condition of use, Material: Paper, ID: 9414
£441.80
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Still life with flowers
sia antion, riga, latvia
Canvas duplicated on carton, oil. 37x30.5 cm Hilda Vika. Width: 37cm, Height: 30.5cm, Depth: 30.5cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9412
£1,308.41
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Children play
sia antion, riga, latvia
Canvas, oil. 85 x 124 cm Aleksandrs Apsitis. Width: 85cm, Height: 124cm, Depth: 85cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9411
£3,305.01
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Silver Lake
sia antion, riga, latvia
1945. Cardboard, oil. 39x49 cm. Carton, oil Aleksandrs Cirulis. Width: 39cm, Height: 49cm, Depth: 39cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9409
£331.35
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Port works
sia antion, riga, latvia
1938. Cardboard, oil. 30 x 38 cm. Aleksandrs Zviedris. Width: 30cm, Height: 38cm, Depth: 30cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9408
£305.86
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Congratulate
sia antion, riga, latvia
Canvas, oil. 66x50cm Alberts Filka. Width: 66cm, Height: 50cm, Depth: 50cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9403
£492.78
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Alberta`s wife Barbara
sia antion, riga, latvia
Canvas, oil. 53x36 cm Alberts Filka. Width: 53cm, Height: 36cm, Depth: 36cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9402
£492.78
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Antonin Carlès (1851-1919) “Youth” Gilt Bronze Sculpture
sia antion, riga, latvia
Gilt bronze print representing a naked young woman with a wild rose flower at her feet. Signed on the Antonin Carles terrace and titled “La Jeunesse”. Foundry mark Siot-Decauville Fondeur, Paris and numbered D347. Base in green Algerian onyx marble, very small repair following a slight chip on one corner. History The Plaster acquired at the Salon of 1883 (NO 3426), placed in 1886 in the marble depository, was deposited in 1889 at the Museum of Fine Arts in Grenoble; reductions were produced in marble, in biscuit by the Sèvres factory in three sizes, in bronze and gilded bronze by Siot-Decauville in two sizes; ordered by the state in 1883; statue commissioned at the Salon Exhibitions Salon of the Society of French Artists (Salon 103) – Palais des Champs Elysées – France, Paris, 1885 Prefiguration of the Musée d&39;Orsay – Post-Impressionism – Palais de Tokyo – Musée d&39;Art et d&39;Essai – France, Paris, 1977 – 1986 Period: 1890 Origin: France, Paris Materials: Bronze and onyx Width: 13cm, Height: 32cm, Depth: 13cm, Weight: 1.6kg, Condition: Signs of wear commensurate with age, Material: Bronze, onyx, ID: 8809
£1,510.62
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Cheval De Trait Harnaché De Théodore GECHTER (1796-1844)
sia antion, riga, latvia
Épreuve ancienne en bronze réalisée selon la technique de la fonte au sable, à patine brune représentant un cheval de trait harnaché. Signature de T. Gechter sur la terrasse et daté 1842. Sculpture en bronze à thème d’effigie équestre de grande qualité, finesse de la ciselure, quantité de détails et d’ornements, mouvements fougueux, caractéristique de ce sculpteur romantique qui affectionnait particulièrement le modelé des chevaux. Fonte d’époque, atelier du bronzier et fondeur-statuaire Jean-François-Théodore Gechter (1841-1844). Musées Le Musée de Versailles conserve de lui : Buste de maréchal de Saint André. Le Musée de Bordeaux : Soldat avec son fusil, 43 cm Paris, Arts décoratifs : Louis Philippe 1er debout, 41 cm Paris, Louvre : La mort de Tancrède, bronze argenté, 16,5 x 41 cm Époque : 1842 Origine : France, Paris Matériaux : Bronze et marbre Width: 13cm, Height: 11.5cm, Depth: 5cm, Weight: 1.5kg, Condition: Very good, Material: Bronze, ID: 8797
£1,322.01
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French, bronzed metal figure on a marble base. Happy holiday.
sia antion, riga, latvia
French, bronzed metal figure on a marble base Have a nice holiday. Depicts a playful Parisian - a prankster, with a shocking neckline on her dress and a bunch of flowers. Modeled after V. Bruynce. Made in Paris. Workshop stamp. Height: 46 cm. Width: 20cm, Height: 46cm, Depth: 27cm, Weight: 6kg, Condition: Good, with traces of use, Material: Marble, ID: 7796
£467.29
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Pug Viennese bronze.
sia antion, riga, latvia
The cutest pug of Viennese bronze. Length 5 cm. Turn of the 19th-20th centuries. Width: 5cm, Height: 4.5cm, Depth: 3cm, Weight: 0.097kg, Condition: Good, with traces of use, Material: Bronze, ID: 6023
£212.40
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Brass ashtray Water sleigh. Late 19th century
sia antion, riga, latvia
Brass ashtray late 19th century - Water sleigh. Depicts a sledge with an icy tub for delivery and distribution of water. On the upper edge, symmetrically along the line of movement, there are thin holders for pens or cigarettes. Russia. Good preservation with traces of use. Width: 13.5cm, Height: 7cm, Depth: 8.5cm, Weight: 0.572kg, Condition: Signs of wear commensurate with age, Material: Bronze and brass, ID: 5643
£339.85
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Vienna bronze miniature Lion, Bergman factories.
sia antion, riga, latvia
Vienna bronze painted miniature Lion, Bergman factories. Spectacular plastic of the first third of the 20th century. The hallmark of the factory is the Latin B in a jug on the chest of a lion. Width: 8cm, Height: 4cm, Depth: 3cm, Weight: 0.2kg, Condition: Good, with traces of use, Material: Polychrome painting, ID: 5472
£195.41
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Painted Viennese bronze Tiger.
sia antion, riga, latvia
Painted Viennese bronze Tiger. Depicts a sitting, bared animal with detailed accuracy. Casting. Painting on bronze. The tiger`s belly bears the Bergman brand, B in a jug and Austrija. Width: 22cm, Height: 12cm, Depth: 10cm, Weight: 1.3kg, Condition: Scuff marks, Material: Painting, ID: 5461
£679.69
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Boy with Roosters Paul CHEVRE
sia antion, riga, latvia
Authors bronze statue Boy with Roosters Paul CHEVRE. H - 75 cm. Represents the work of the famous Franco-Canadian master of the second half of the 19th - beginning of the 20th century. It depicts a Boy taking apart fighting cocks. This gambling and fighting event was conveyed in an anti-censoring manner; a naked young man and in the pathos of gestures represent it. A slightly deviated figure of a young man gives way to angry roosters and their line of aggression crosses the line of the boy and loincloth. Their expressive nature creates energy and strength and also sets off the noble patina of the young man’s smooth body. Width: 52cm, Height: 75cm, Depth: 45cm, Weight: 30kg, Condition: Excellent, Material: Patinated bronze, ID: 59
£10,195.41
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Charles de la Fosse (1636 ; 1716) Jésus faisant la Cène.
sia antion, riga, latvia
Charles de la Fosse (1636 ; 1716) Jésus faisant la Cène. Huile sur toile et châssis dorigine 82 x 66 cm Cadre 103 cm par 84 cm Je remercie Madame Clémentine Gustin-Gomez davoir confirmé le caractère autographe de ce tableau après un examen direct. Dans son ouvrage, Clémentine Gustin-Gomez cite une peinture mentionnée et disparue qui pourrait, sous toutes réserves, être notre tableau (C. Gustin Gomez, Charles de La FOSSE (1636-1716), Dijon, 2006, PP.31) : Sous le numéro PP. 31 : La Cène située à côté du maître-autel à léglise Saint-Pierre-des-Arcis, à Paris ; saisie à la Révolution ; mentionnée par A. LENOIR, 16 novembre 1793, comme objet entré au Dépôt provisoire des Monuments La Cène La Cène, également connue sous le nom de Cène du Seigneur ou Dernier Repas, commémore le dernier repas de Jésus-Christ avec ses disciples avant sa crucifixion, tel que décrit dans les évangiles du Nouveau Testament de la Bible. Pendant la Cène, Jésus a partagé le pain et le vin avec ses disciples en les identifiant comme son corps et son sang. Cela est considéré comme un symbole du sacrifice de Jésus pour le salut de lhumanité. Dans de nombreuses traditions chrétiennes, la Cène est célébrée régulièrement lors dun service religieux appelé lEucharistie. La Cène est souvent représentée dans lart chrétien. Pour ne citer que lui, Léonard de Vinci, La Cène. Cette représentation emblématique montre Jésus et ses disciples assis à une table pendant le dernier repas. Charles de la Fosse (1636 ; 1716) Charles de La Fosse est né le 15 juin 1636 à Paris et décède le 13 décembre 1716. Il est de bonne heure lélève de Le Brun, avec qui il collabore dans les années 1650 au séminaire de Saint-Sulpice et à lhôtel Lambert. De 1658 à 1663, il séjourne à Rome, à Parme et longuement à Venise, dont il gardera toujours lempreinte. Après son retour à Paris, Le Brun lemploie aux Tuileries, puis au grand appartement de Versailles. La Fosse est reçu à lAcadémie en 1673 (Enlèvement de Proserpine), dont il deviendra directeur en 1707 grâce à lappui dHardouin-Mansart. Il peindra divers tableaux de chevalet pour le Grand Trianon, pour Marly, pour Meudon, Versailles… Les sujets de prédilection de La Fosse étaient souvent dinspiration mythologique ou religieuse, il est aussi un grand décorateur, dont lart séloigne fortement de Le Brun ou dun contemporain comme Jouvenet. Il a réalisé de nombreuses peintures pour des églises et des palais, notamment des fresques. Son style sest développé au fil du temps, passant dun traitement plus classique et rigide à des compositions plus dynamiques et expressives. Il n’intervient pas, ou plus exactement s’impose par l’exemple, dans ce qui a été nommée la querelle des coloris ou encore la querelle entre anciens et modernes qui oppose à partir des années 1670, la tradition du XVIIè, fidèle à l’art de Poussin où l’œuvre peinte se construit sur le dessin, auxdits modernes où l’importance du dessin s’efface au profit du choix et de la mise en oeuvre des couleurs. Ses réalisations l’imposent à tous comme le maître des modernes ouvrant ainsi la voie à la peinture du XVIIIè siècle. Charles de la Fosse est nommé premier peintre du roi en 1685. Width: 103cm, Height: 84cm, Depth: 10cm, Weight: 8kg, Condition: Exc., Usual restorations, Material: Canvas, oil, ID: 12278
£5,480.03
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