Works of art created with paint.
sia antion, riga, latvia
This monumental architectural painting depicts a stone fountain topped by a large bronze basin, from which an impressive floral arrangement unfurls. The ground is strewn with grapes, peaches and a pumpkin, symbolizing fertility and abundance.In the background, a décor of ancient ruins unfolds, with classical architectural elements lending an enigmatic atmosphere to this work.Finally, in the last shot, a wooded landscape with cypress trees reminiscent of Tuscany and a mountain in the distance. Above this luxuriant scene, a blue sky dotted with clouds ranging from grey to golden unfolds and illuminates the entire scene.Stylistically, this painting is in line with certain Italian still lifes of the late 17th and early 18th centuries. It probably comes from the workshop of an Italian master who understood the appeal of Dutch and Flemish works such as those by the artist Gaspar Pieter Verbruggen Le Jeune (1664-1730). One of these masters was Orsola Maddalena Caccia (1596-1676), considered a pioneer of still-life painting in Italy.In its pictorial style and choice of subject, the painting is also reminiscent of the works of Neapolitan painter Gasparo Lopez dei Fiori, who distinguished himself by his often redundant compositions of flowers, most often placed outdoors, in elaborate contexts rich in naturalistic and architectural elements.This majestic painting comes from the private collection of a renowned family, and was displayed in one of the familys villas in Cannes on the Côte dAzur in France.The painting is presented in a 19th-century gilded wooden frame, a fitting piece to adorn large walls: a classic, elegant setting that we never tire of admiring.Dimensions of unframed canvas :Height : 123 cmWidth : 187 cm Width: 205cm, Height: 140cm, Depth: 6cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12346
£51,282.05
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Still life painting with flowers, signed by the artist Aurelia Riolso De Mortimer, dated 1887. Beautiful glossy patina and characteristic craquelure. Original tondo oval frame. The painting has been re-coated by our professional restorer. Width: 68cm, Height: 56cm, Depth: 4cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12340
£1,333.33
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Flemish School, Birds Feeding in Nest, Late 18th Century, Oil on Panel, 62x46 cm. This exquisite painting from the late 18th century, attributed to the Flemish School, captures a serene and naturalistic scene of birds feeding in their nest. Executed in oil on panel, the artwork showcases the meticulous attention to detail and vibrant color palette characteristic of Flemish artists of the period. The composition highlights the tenderness and care of the birds as they tend to their young, rendered with a high degree of realism and precision. The artist’s skillful use of light and shadow, combined with the delicate textures of the birds’ feathers and the surrounding foliage, enhances the lifelike quality of the scene. Width: 65cm, Height: 45cm, Depth: 4cm, Weight: 4kg, Condition: Earlier restoration, Material: Oil on wood, ID: 11537
£1,333.33
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Juri Saarikoski (Finland, Born 1961) Oil on canvas. Written on the back of the painting in Norwegian: Juris portrett av sin døende far 1983 (Portrait of His Dying Father). Dimensions: 81 x 55 cm. Width: 90cm, Height: 60cm, Depth: 5cm, Weight: 5kg, Condition: A little wear, Material: Oil painting, ID: 11536
£760.68
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Sailing Boats in Harbor, Oil on Canvas, Mid-20th Century. In a nice wooden gesso gilded frame, 70 x 61 cm. Signed. Width: 75cm, Height: 65cm, Depth: 10cm, Weight: 8kg, Condition: Good, Material: Oil painting, ID: 11535
£1,333.33
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Russian School 18th Century A man combing his hair. Oil on canvas, 61 x 40 cm Unsigned. Width: 45cm, Height: 65cm, Depth: 6cm, Weight: 8kg, Condition: Canvas was duplicated , Material: Oil painting, ID: 11534
£1,427.35
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A captivating Italian Impressionist oil painting on canvas by Ilio Giannaccini (1897-1968), this masterpiece features a signature in the lower right corner and another on the back of the canvas. This amazing painting portrays a human figure at the center of a wooded landscape, with a breathtaking view overlooking the sea. Giannaccinis skillful brushwork and mastery of light and color capture the essence of mid-20th century Italy, showcasing his unique interpretation of Impressionism. Dimensions 100cmx70cm. Width: 100cm, Height: 70cm, Depth: 4cm, Weight: 5kg, Condition: Good, Material: Oil painting, ID: 11156
£1,145.30
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Canvas, oil. 20th century 40`s. Sta?islavs Ivanickis (1908-1971) Flowers 1947th Oil on canvas. 60 x 50 cm Width: 0.6cm, Height: 50cm, Depth: 0.6cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 10125
£478.63
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Beginning of 20th century. Carton, oil. 35x47 cm Width: 35cm, Height: 47cm, Depth: 35cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9915
£974.36
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Still life Bouquet of flowers. In the lower left corner, the signature: J. LEIGH - Rose J. LEIGH (1844-1920) - Irish artist. Dimensions without frame: 69 x 58 cm. Width: 66cm, Height: 72cm, Depth: 10cm, Weight: 5kg, Condition: As is, Material: Canvas, oil, ID: 2080
£1,538.46
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The painting "Lady with a Tambourine", made in the style of synthetic cubism . The metaphysical appearance of a lady with a tambourine is inscribed in a stylized landscape of a seaside city, where the hot shine of the sun and the distance of the sea provide a sense of reality. In the lower left corner there is a monogram "A". 44.5 X 32 cm. Painting made in the style of Alexander Porfirevich Archipenko. Width: 48cm, Height: 61cm, Depth: 2cm, Weight: 2kg, Condition: Signs of wear commensurate with age, Material: Mixed media, ID: 2053
£769.23
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The painting "Lady with a Fan", executed in the style of decorative cubism. It depicts the characteristic figure of a lady with a fan and a hat on the streets of the city. Slanting rays pouring along the panel symbolize the threshold of dusk and sunset hours. In the lower right corner there is a monogram "A." Unframed size: 44.5 X 32 cm Painting made in the style of Alexander Porfirevich Archipenko. Width: 48cm, Height: 61cm, Depth: 2cm, Weight: 2kg, Condition: Some lacks, Material: Plywood , ID: 2052
£769.23
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19th century. Engraving. 60x78 cm Width: 60cm, Height: 78cm, Depth: 60cm, Weight: 10kg, Condition: Condition of use, Material: Engraving, ID: 9912
£290.60
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Firs half of 20th century. Canvas, oil. 72x52 cm Width: 72cm, Height: 52cm, Depth: 52cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9911
£914.53
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20th century 30`s. Canvas, oil. 37x43 cm Width: 37cm, Height: 43cm, Depth: 37cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9908
£572.65
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Signature illegible. Width: 51cm, Height: 76cm, Depth: 51cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9907
£1,025.64
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Signature illegible. Width: 36cm, Height: 27.5cm, Depth: 27.5cm, Weight: 10kg, Condition: Condition of use, Material: Lacquered wood, ID: 9906
£290.60
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20th century 40`s. Cardboard, pastel. 57x77 cm Width: 57cm, Height: 77cm, Depth: 57cm, Weight: 10kg, Condition: Condition of use, Material: Pastel and black stone, ID: 9889
£478.63
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1928 (?). Paper, pencil. 17x12 cm Width: 17cm, Height: 12cm, Depth: 12cm, Weight: 10kg, Condition: Condition of use, Material: Black pencil, watercolor, ID: 9883
£341.88
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Mykola Burachek (1871-1942) Width: 21.5cm, Height: 25.5cm, Depth: 26.5cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9856
£6,837.61
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20th century 30`s, Canvas, oil. 50x60 cm Width: 50cm, Height: 60cm, Depth: 50cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9855
£512.82
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Beginning of 20th century. Carton, oil. 99x76 cm Width: 99cm, Height: 76cm, Depth: 76cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9808
£11,401.71
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Painting Water lilies (Nenyufars). In the lower left corner is the signature of Lishchenko D.A., in the lower right corner is the number 25. Size without frame: 22 x 29 cm. Width: 55cm, Height: 49cm, Depth: 10cm, Weight: 4kg, Condition: , Material: Paper, ID: 1361
£2,991.45
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Frans Floris de Vriendt - Flemish painter (? 1517 - Antwerp 1570). Member of the Guild of Saint Luke in Antwerp. Mythological scene The Cup of Ceres (Terenz, Eunuch IV, 5: Sine Cerere et Libero friget Venus). The triangular composition of two women and a faun turning towards them is complemented by a cupid and a servant with fruit. In the center of the triangle is a transparent vessel, a compositional and semantic center. Its symbolic content, probably the spirit of love and life, is passed on and gratefully received. The line of gifts produces a perpendicular diagonal to the axis of giving - which unites the material and spiritual principles of gifts. Provenance: the first mention of the work is noted in 1618 with inventory number 484 in one of the private residences of Munich, as the work of the seminary Tizian-Werkstatt. In 1792, a mention of the purchase of a painting from Kurfürst Carl Theodor for the Bavarian State Painting Collection with inventory number 10390. Attribution: Copy of Dr. Ernst Wengenmayer, Munich December 7, 1962 Authenticity of the painting was verified, the authorship of the Flemish painter was revealed: Frans Floris de Vriendt Width: 150cm, Height: 112cm, Depth: 10cm, Weight: 40kg, Condition: Satisfactory, Material: Wood, ID: 433
£18,803.42
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Reinhard Sebastian Zimmermann (1815-1893) Width: 81.5cm, Height: 109cm, Depth: 81.5cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9806
£3,991.45
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