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    antique architectural items gardens and industrial: garden sculpture

    Showing items 1 - 16 of 16
    • Blue Reverie 3 on a Base, Sculptural Replica of a skull, 21st Century

      Blue Reverie 3 on a Base, Sculptural Replica of a skull, 21st Century

      sia antion, riga, latvia

      Hailing from the wild coastal edges of Australia, multidisciplinary artist Wesley Smith works at the confluence of paleontology, myth, and radical contemporary aesthetics. Blue Reverie #3 exemplifies his ability to blur the boundaries between artifact and icon, science and ritual.At the heart of this singular sculpture lies a meticulously reproduced Pachycephalosaurus skull — a creature from the Late Cretaceous period, symbol of endurance and enigma. Smith submerges the form entirely in Klein blue pigment, that luminous ultramarine synonymous with spiritual intensity and aesthetic absolutes.The result is more than a visual intervention — it is an act of transformation. The skull becomes a totemic object, at once prehistoric and futuristic. Radiating both pop sensibility and post-anthropocenic urgency, Blue Reverie #3 invites reflection on extinction, memory, and the human need to mythologize.Blue Reverie #3 is a sculptural manifesto, a relic of imagined cosmologies, and a mesmerizing focal point for collectors of the bold, the conceptual, and the iconoclastic. Width: 30cm, Height: 50cm, Depth: 20cm, Weight: 20kg, Condition: Condition of use, Material: Resin, ID: 15371

      £4,621.38

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    • Frederic Remington Bronze Sculpture – “The Mountain Man”, 20th Century

      Frederic Remington Bronze Sculpture – “The Mountain Man”, 20th Century

      sia antion, riga, latvia

      This striking bronze sculpture, attributed to the legendary American artist Frederic Remington, captures the essence of the rugged frontier spirit with breathtaking motion and anatomical precision. Titled “The Mountain Man,” the piece depicts a daring horseman and his mount descending a treacherous slope, the reins taut and tension palpable. This dramatic composition — one of Remington’s most iconic subjects — epitomizes the peril and tenacity of life in the American West.Remingtons mastery in rendering movement, detail, and raw emotion is on full display, from the horse’s poised limbs to the rider’s focused intensity. The sculpture is mounted on a beautifully striated red-and-white marble pedestal, set atop a darker marble plinth that provides striking visual contrast and stability.A collector’s piece of historical and artistic importance, this work is a tribute to the frontier mythos Remington helped define and immortalize. Ideal for connoisseurs of Western Americana, fine bronze sculpture, or late 19th to early 20th century American art. Width: 18cm, Height: 43cm, Depth: 20cm, Weight: 25kg, Condition: Condition of use, Material: Marble, ID: 15353

      £1,540.46

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    • 19th Century Bust of an Aristocrat in Marble by Joseph Vallet (1841-1920)

      19th Century Bust of an Aristocrat in Marble by Joseph Vallet (1841-1920)

      sia antion, riga, latvia

      A large bust of a noble man from the end of the 19th century in carrara marble signed by French sculptor, Joseph Vallet, who born in La Boisiére du Doré on August 6, 1841, and died in Nantes on April 29, 1920. Joseph Vallet was mainly active as an sculptor in Nantes and in the Brittany region, particularly in the Loire-Atlantique department, where he created a number of altars and contributed statues for churches. This bust boasts an unmatched level of perfectionism and finesse, both in the face and the hair as well as in the details of his costume. Width: 42cm, Height: 80cm, Depth: 30cm, Weight: 4kg, Condition: Condition of use, Material: Marble, ID: 12519

      £5,313.72

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    • Late 19th-Century Carrara Marble Bust of a Young Girl

      Late 19th-Century Carrara Marble Bust of a Young Girl

      sia antion, riga, latvia

      This bust of a young girl in Carrara marble from the late 19th century beautifully captures the innocence and charm expressed on the subjects face. The sculpture exudes remarkable expressiveness which is particularly evident in the delicately crafted hair and draped shoulder details. It is mounted on a veined black marble base to underscore the sculptors skill and attention to detail. It originates from France. Width: 32cm, Height: 47cm, Depth: 25cm, Weight: kg, Condition: Condition of use, Material: 0, ID: 12473

      £1,929.90

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    • 19th Century Bust of a Young Lady in White Marble by Flli Romanelli

      19th Century Bust of a Young Lady in White Marble by Flli Romanelli

      sia antion, riga, latvia

      We present you with this exquisite large bust of a beautiful young lady with a large hat, carved in prestigious antique white statuary marble. A unique work of the highest quality and detail, rendering the subjects face, its clothes and especially the hat to appear as if made of lace which in turns contributes to a great visual impact.This bust was hand-sculpted in Italy and is a work of art belonging to the renowned Fratelli Romanelli sculpture workshop.About Fratelli Romanelli:Several generations of Romanelli sculptors have passed through the Florentine sculpture studios doors: Pasquale Romanelli (1812-1887), his son Raffaello (1856-1928), followed by his son Romano, then Folco and currently brothers Raffaello and Vincenzo Romanelli. The ateliers beginnings trace back to Lorenzo Bartolini (Italian, 1777-1850) who lived in Paris as the Bonaparte familys official sculptor. After the downfall of Napoleon, he returns in Florence and has his first studio in via della Scala. Pasquale Romanelli would become his prized pupil and go on to begin the Romanellii family studio in Florence. T. Width: 41cm, Height: 62cm, Depth: 26cm, Weight: 1kg, Condition: Condition of use, Material: Marble, ID: 12442

      £2,778.02

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    • Large Lapis Lazuli Sphere from Afghanistan on a 19th French Gilded Base

      Large Lapis Lazuli Sphere from Afghanistan on a 19th French Gilded Base

      sia antion, riga, latvia

      We are delighted to present you with this incredible polished sphere of Lapis Lazuli, a deep blue metamorphic rock often used in jewelry and decoration.The sphere displays a vibrant mix of blue hues, interspersed with veins of white calcite and specks of golden pyrite, which are characteristic of high-quality Lapis Lazuli.The stone is mounted on a 19th century bronze gilded base.The natural beauty and unique patterning of this stone makes it a striking decorative piece that would enhance any living space. Width: 13cm, Height: 13cm, Depth: 13cm, Weight: 7.5kg, Condition: Condition of use, Material: Bronze, ID: 12417

      £1,817.40

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    • Young woman with jug, Carrara marble, signed Bonnal, early 20th century

      Young woman with jug, Carrara marble, signed Bonnal, early 20th century

      sia antion, riga, latvia

      Charming sculpture of a young woman carrying a jug, signed by Bonnal on the back and inspired by “Rebecca at the Well” by 19th-century Italian School artist Guglielmo Pugi.The sculpture in fine white Carrara marble, created between the end of the 19? century and the beginning of the 20? century, depicts a pensive, lascivious young woman dressed in the fashion of the turn of the century: she wears a turban from which escapes curls of hair and a bracelet characteristic of the period; the cut of her dress is also very elaborate for a simple peasant woman. The finely embroidered motifs on the dress and turban are further evidence of the sculptors mastery.A delicate, feminine piece that will look great in a hallway or on a dressing table, and will make a lovely gift for an aesthete woman.Guglielmo Pugi lived in Florence, where he ran a sculpture workshop with his two sons. Their workshop, “Guglielmo Pugi e Figli”, was mainly dedicated to exports, particularly to the United States. Guglielmo Pugis work, emblematic of the Art Nouveau style, is characterized by direct carving in alabaster and Carrara marble (often white or veined).Some of his sculptures are now housed in Volterras Historical Alabaster Museum. Many of his works were shown at major international exhibitions, such as the 1901 Pan-American Exposition in Buffalo and the 1904 Exposition Universelle in Saint-Louis. Width: 16cm, Height: 59cm, Depth: 15cm, Weight: 1.5kg, Condition: Condition of use, Material: Marble, ID: 12382

      £2,795.33

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    • Terracotta Buddha head, Shan State Kingdom, Burma, 16th18th century

      Terracotta Buddha head, Shan State Kingdom, Burma, 16th18th century

      sia antion, riga, latvia

      Stoneware Buddha head, Shan State Kingdom, Burma, 16th/18th centuryBuddha head from a temple facing built entirely of mud bricks during the 16th/18th century. Maravijaya Buddha. Shan period, Burma.The finesse of the master sculptors work is remarkable here: the large almond-shaped eyes with half-closed eyelids advocate introspection and humility, while the fine, well-defined mouth with pronounced corners preaches benevolence and universal love. His head is adorned with the Ushnisha, a cranial protuberance characteristic of Buddha and a symbol of his knowledge. This Buddha exudes emotion and wisdom, inviting the viewers eye and mind to meditative calm and enlightened concentration.This collectors piece stands out for its fine craftsmanship and its expression of wisdom, from which emanates great spirituality. Properly pedestal-mounted, this piece exudes serenity and soothing energy, and can easily be placed in your home on a shelf or in a bookcase.Height 36 cm on base. Width: 21cm, Height: 22cm, Depth: 17cm, Weight: 1kg, Condition: Condition of use, Material: Stoneware, ID: 12373

      £5,192.56

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    • Bust of Marcus Aurelus in Marble in marble and onyx, 20th century

      Bust of Marcus Aurelus in Marble in marble and onyx, 20th century

      sia antion, riga, latvia

      Add a piece of history to your collection with this exquisite bust of Marcus Aurelus, sculpted in pure white marble and iridescent orange onyx. This bust is a classic depiction of one of the most influential leaders of antiquity, combining artistic beauty and symbolism.Note the natural shine of marble, polished to bring out the soft texture and precise details.Each element of the bust, from the expressive face to the folds of the neck and hair, is made with care, reflecting realism and respect for classical proportions.It is ideal for elegant interior decoration, whether in a classic or modern environment. Perched on a pedestal or integrated into a bookcase, it attracts the eye and arouses interest.It is a piece that evokes not only the aesthetics of ancient Rome, but also a reflection on governance and power.It will be perfect for history buffs, interior designers or as a centerpiece in a living space or office. Width: 70cm, Height: 90cm, Depth: 35cm, Weight: 5kg, Condition: Condition of use, Material: Marble, ID: 12344

      £9,424.49

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    • Carrara marble statue of Cupid, 19th century, after Étienne Maurice Falconet

      Carrara marble statue of Cupid, 19th century, after Étienne Maurice Falconet

      sia antion, riga, latvia

      White marble sculpture of Cupid based on a work by Étienne Maurice Falconet (1716-1791), the original of which is in the Louvre Museum in Paris. It is presented on a gilded wooden base with a pearl stripe.Very fine craftsmanship and high quality for this 19th-century white veined Carrara marble statue of Cupid.Height with base: 59 cm.Weight: 30 kg.The original work, also known as “LAmour menaçant”, was commissioned by Mme de Pompadour, whose plaster model was exhibited at the Salon of 1755. The marble statue, presented at the Salon two years later, adorns the gardens of the Hôtel dÉvreux, the future Palais de lÉlysée, the Marquises Parisian residence. The iconography is that of Silent Love: seated on clouds, the mischievous Cupid asks for silence as he draws an arrow from his quiver.Born into a modest family in Paris, Étienne Maurice Falconet started out as a carpenters apprentice. However, his talent for wood and clay sculpture soon attracted the attention of Jean-Baptiste Lemoyne, who took him under his wing. For almost ten years, Falconet perfected his art in his masters workshop. Thanks to François Boucher, he became close to the Marquise de Pompadour, an influential patron of the arts and favorite of Louis XV, who commissioned several works from him, including La Jardinière, intended for the dairy of her Château de Crécy.His talent was recognized in 1754 with his sculpture Milon de Crotone, which earned him membership of the Académie royale de peinture et de sculpture. The works he exhibited at the Salons of 1755 and 1757, notably LAmour menaçant - commissioned by Madame de Pompadour - placed him among the most renowned sculptors of his time. This recognition opened the doors to the royal porcelain factory at Sèvres, where he directed the sculpture workshops between 1757 and 1766. He played a major role in the success of the “cookie de Sèvres”, porcelain sculptures left unglazed and undecorated, and created over 70 figure models, featuring both feminine and childlike forms.In 1766, recommended by Frédéric Melchior Grimm and Diderot, Falconet was invited to St. Petersburg by Catherine II of Russia. After Madame de Pompadours death, he accepted the offer and left his Parisian studio in the rue dAnjou - nicknamed “la chaumière” by Diderot. In Russia, he spent twelve years creating the Monument à Pierre le Grand, an imposing equestrian statue. However, tensions with the imperial court led him to leave the country for the United Provinces, before returning to France.Back in Paris, he was appointed rector of the Académie royale de peinture et de sculpture. Here, he produced several masterpieces, including Moïse et David pour léglise Saint-Roch, Les Mangeurs de raisins, La Leçon de flûte, Pygmalion, Alexandre, LHiver and La Mélancolie. In 1780, he was replaced by Charles-Antoine Bridan as professor of sculpture.Falconet was also a theorist of his art. He translated and annotated passages on painting and sculpture from Pliny the Elders Natural History, and wrote several works on the history of art in Antiquity and in his own time. Diderot entrusted him with writing the “Sculpture” article for LEncyclopédie. In 1761, he published his Réflexions sur la sculpture, followed by other writings in six volumes from 1781. Width: 29cm, Height: 52cm, Depth: 29cm, Weight: 1.3kg, Condition: Condition of use, Material: Marble, ID: 12341

      £6,257.03

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    • 19th Century Pair of Chinese Guardian Lions in Red and Gold Lacquer

      19th Century Pair of Chinese Guardian Lions in Red and Gold Lacquer

      sia antion, riga, latvia

      We present you with this stunning pair of statues representing Chinese guardian lions, also known as lions of Fo, made in red and gold lacquer and painted wood. Their origins date back to the late 19th century.Chinese guardian lions or the lions of Fo are iconic mythical guardian creatures in Chinese culture. They are commonly depicted as lion-like figures, often in pairs, and are believed to possess protective and symbolic qualities. They are often associated with protection and good luck and are believed to ward off negative energy or evil spirits. Their presence is commonly seen in front of palaces, temples, and other important structures to provide security and prosperity. Furthermore, these lion-like creatures are typically depicted in pairs - one male and one female. The male lion is often shown with a ball or globe under its paw, representing supremacy over the world. The female lion is usually seen with a lion cub, signifying nurturing and protection. Width: 12cm, Height: 15cm, Depth: 7cm, Weight: 1.5kg, Condition: Condition of use, Material: Wood, ID: 12492

      £1,202.94

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    • Egg-Shaped Lapis Lazuli from Afghanistan

      Egg-Shaped Lapis Lazuli from Afghanistan

      sia antion, riga, latvia

      We are delighted to present you with this incredible polished egg shape of Lapis Lazuli, a deep blue metamorphic rock often used in jewelry and decoration.The sphere displays a vibrant mix of predominantly deep blue hues, interspersed with veins of white calcite and specks of golden pyrite, which are characteristic of high-quality Lapis Lazuli.The stone is mounted on a decorative gilded bronze base from 19 th century.The natural beauty and unique patterning of this stone makes it a striking decorative piece that would enhance any living space. Width: 15cm, Height: 29cm, Depth: 0.2cm, Weight: 1kg, Condition: Condition of use, Material: Lapis lazuli, ID: 12426

      £3,695.37

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    • 19th Century Statue of a Greyhound in Bronze, in the Style of Pierre-Jules Mêne

      19th Century Statue of a Greyhound in Bronze, in the Style of Pierre-Jules Mêne

      sia antion, riga, latvia

      This sculpture of greyhound from the late 19th century is crafted in bronze and displays fine detailing of the dog’s muscular structure.The dog is standing on a base that mimics a rough terrain and is mounted on a marble base. The dog is shown in a proud stance, with a collar around its neck. It was made in the style of famous French sculptor Pierre-Jules Mêne, who is considered one of the pioneers of animal sculpture in the nineteenth century.This sculpture would be a perfect complement to a 19th century traditional commode or it would make a memorable gift for any dog lover. Width: 27cm, Height: 29cm, Depth: 14.5cm, Weight: 2kg, Condition: Condition of use, Material: Bronze, ID: 12407

      £1,272.18

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    • Carved wood rhinoceros, Circa 1950

      Carved wood rhinoceros, Circa 1950

      sia antion, riga, latvia

      Superbe rhinocéros en bois massif sculpté : le travail de sculpture est en effet admirable par sa finesse et l’attention portée aux détails ; il présente également une magnifique patine brillante et douce à certains endroits.Une pièce de caractère étonnante et originale qui convient pour un intérieur classique comme contemporain. Width: 25cm, Height: 34cm, Depth: 76cm, Weight: 1kg, Condition: Condition of use, Material: Wood, ID: 12359

      £1,903.94

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    • Young woman with jug, Carrara marble, signed Bonnal, early 20th century

      Young woman with jug, Carrara marble, signed Bonnal, early 20th century

      sia antion, riga, latvia

      Charming sculpture of a young woman carrying a jug, signed by Bonnal on the back and inspired by “Rebecca at the Well” by 19th-century Italian School artist Guglielmo Pugi.The sculpture in fine white Carrara marble, created between the end of the 19? century and the beginning of the 20? century, depicts a pensive, lascivious young woman dressed in the fashion of the turn of the century: she wears a turban from which escapes curls of hair and a bracelet characteristic of the period; the cut of her dress is also very elaborate for a simple peasant woman. The finely embroidered motifs on the dress and turban are further evidence of the sculptors mastery.A delicate, feminine piece that will look great in a hallway or on a dressing table, and will make a lovely gift for an aesthete woman.Guglielmo Pugi lived in Florence, where he ran a sculpture workshop with his two sons. Their workshop, “Guglielmo Pugi e Figli”, was mainly dedicated to exports, particularly to the United States. Guglielmo Pugis work, emblematic of the Art Nouveau style, is characterized by direct carving in alabaster and Carrara marble (often white or veined).Some of his sculptures are now housed in Volterras Historical Alabaster Museum. Many of his works were shown at major international exhibitions, such as the 1901 Pan-American Exposition in Buffalo and the 1904 Exposition Universelle in Saint-Louis. Width: 16cm, Height: 59cm, Depth: 15cm, Weight: 1.5kg, Condition: Condition of use, Material: Marble, ID: 12382

      £2,795.33

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    • Georgian Lead Regal Lion Garden Fountain Crown Finial Sculpture

      Georgian Lead Regal Lion Garden Fountain Crown Finial Sculpture

      cheshire antiques consultant ltd, london, united kingdom

      Georgian British Small Fine Decorative Architectural Regal Lion Lead Garden Fountain Crown Finial Sculpture. Make your garden stand out with this traditional impressive Regal lion garden crown finial, it has an attached small tube on...

      £2,000.00

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