Works of art created with paint.
sia antion, riga, latvia
Joseph François Parrocel (1704; 1781) attributed. The Attack of the Tigers Canvas mounted on hardboard 62 cm by 40 cm Frame 77.5 cm by 54.5 cm An old attribution on the back: Raden Saleh This very beautiful painting takes up the theme of the attack of wild beasts here on Turkish horsemen. Since Rubens in the 17th century, many painters have represented lions or tigers in these scenes. The genre even experienced a resurgence in popularity with orientalists such as of course Eugène Delacroix, all his students and many other painters. Joseph François Parrocel (1704; 1781) He was a student of his father, Pierre Parrocel. Approved by the Academy in 1753, he appeared at the Salons from 1755 to 1781 with historical subjects. He is one of the members of a dynasty of French painters from the 17th century (Barthélémy Parrocel 1595; 1660) to the 19th century (Etienne Antoine Parrocel 1817; 1896). He is a painter of history, battles, mythological subjects... in the direct line of the dynasty. He can be found in many museums such as Avignon, Versailles, Dublin... Width: 78cm, Height: 55cm, Depth: 4.5cm, Weight: 3kg, Condition: Exc., Usual restorations, Material: Oil on panel, ID: 12279
£3,672.19
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Canvas, oil. 85 x 124 cm Aleksandrs Apsitis. Width: 85cm, Height: 124cm, Depth: 85cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9411
£3,377.03
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1945. Cardboard, oil. 39x49 cm. Carton, oil Aleksandrs Cirulis. Width: 39cm, Height: 49cm, Depth: 39cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9409
£338.57
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1938. Cardboard, oil. 30 x 38 cm. Aleksandrs Zviedris. Width: 30cm, Height: 38cm, Depth: 30cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9408
£312.53
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Canvas, oil. 66x50cm Alberts Filka. Width: 66cm, Height: 50cm, Depth: 50cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9403
£503.52
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Canvas, oil. 53x36 cm Alberts Filka. Width: 53cm, Height: 36cm, Depth: 36cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9402
£503.52
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20th. century 30`s. Canvas, oil. 96x67 cm Alberts Filka. Width: 96cm, Height: 67cm, Depth: 67cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9400
£1,553.95
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1928. A.Hillertz. Canvas, oil. 87x70 cm -. Width: 87cm, Height: 70cm, Depth: 70cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9392
£390.66
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Carton, oil. 127x174 cm Girts Muiznieks. Width: 127cm, Height: 174cm, Depth: 127cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9390
£9,262.96
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Carton, oil. 34x48 cm Oto Pladers. Width: 34cm, Height: 48cm, Depth: 34cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9385
£390.66
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20th century 30`s. Paper, ink. 27x20cm Romans Suta. Width: 27cm, Height: 20cm, Depth: 20cm, Weight: 10kg, Condition: Condition of use, Material: Inlay, ID: 9375
£946.26
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20th century 30`s. Canvas, oil. 35x48 cm Karlis Melbarzdis. Width: 35cm, Height: 48cm, Depth: 35cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9365
£694.50
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Alessandro Grevenbroeck (born in the 17th century died in Padua) Dutch seascape at dusk, around 1700 Canvas 95 cm by 64 cm This beautiful seascape is richly composed of numerous scenes. It is animated by a host of characters and ships of the Dutch fleet in the middle of islets topped with towers and ancient ruins that the painter particularly liked, Alessandro Grevenbroeck (born in the 17th century died in Padua) Born towards the end of the 17th century, probably in Milan, Alessandro had his first artistic training at the school of Giovanni Grevenbroeck, most likely his father, called il Solfarolo (Netherlands, around 1650 - Milan, 1699). The artistic collaboration between Alessandro and his father Giovanni was evidenced by the signature of both on a painting depicting Porto di mare at sunset. From 1717 to 1720, Alexander received missions from the Russian ambassador Beklemišev on behalf of Peter I the Great. Among the most important historical works created by the artist and sent to Russia are the Battle of Poltava, which was destroyed in the fire at the Hermitage Pavilion in Peterhof (1808), and the Naval Battle of Gangut (Peterhof Museum, Monplaisir Palace, inv. no. 455). The interest in the painter on the part of the Russian government led to an official invitation for Alexander to travel to Russia to enter the service of His Imperial Majesty to paint land-based naval battles and harbor views; despite the initiation of contacts and the drafting of a real preliminary contract with the artist, archival data confirm that the trip and his stay never took place. On the contrary, many canvases dedicated with a mention Venice or Padua and a date of execution (1717 and 1748), show that he remained in the vicinity of the Serenissima. The fame linked to the landscape architect is also confirmed by the data relating to the rent paid by the latter in Venice in 1745 (Provveditori alle Pompe), which shows that Alessandro had a decent level of income, which leads us to believe that the Artist enjoyed real success during his lifetime. Width: 95cm, Height: 64cm, Depth: 2.5cm, Weight: 2kg, Condition: Exc., Usual restorations, Material: Canvas, oil, ID: 12283
£4,054.17
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Jean Baptiste Blain de Fontenay (1653; 1715) attributed. Bouquet of Flowers in a Vase Circa 1700. Relined canvas measuring 69 cm by 57 cm. Frame measuring 91 cm by 69 cm. This superb painting shows a bouquet of flowers in a vase on an inverted capital serving as an entablature. At the foot, two fruits, in the background a red velvet curtain. Jean Baptiste Blain de Fontenay (1653; 1715). Born in Caen in 1653 to Louis Blin, painter, and Jeanne Degron, he joined the studio of Jean Baptiste Monnoyer, of whom he was most certainly the best student. In order to apply to the Royal Academy of Painting and Sculpture, he was forced to renounce his faith in 1685. He was admitted on November 16, 1687, with his still life Vase of Flowers and Bust of Louis XIV (a painting now in the Louvre). The same year, he married Monnoyer&39;s daughter, Marie Monnoyer. The couple had four children, including Jean Baptiste II in 1688 and Jacques in 1698, who also became painters. Among his most notable works, he decorated the châteaux of Fontainebleau, Versailles, Compiègne, and especially Marly. Housed at the Louvre and given a pension by Louis XIV, he also produced several cartoons for the Gobelins factory. Like his master, he devoted himself especially to painting fruits and flowers, emphasizing the sumptuousness and theatricality of his compositions, which were embellished with curtains, goldsmith pieces, and other architectural elements. Width: 69cm, Height: 91cm, Depth: 5.5cm, Weight: 5kg, Condition: Exc., Usual restorations, Material: Canvas, oil, ID: 12280
£4,635.82
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1824. France. Canvas, oil. 74x92 cm Unknown artist. Width: 74cm, Height: 92cm, Depth: 74cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9363
£4,054.17
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1948. Paper, carbon. 27x26 cm Niklavs Strunke. Width: 27cm, Height: 26cm, Depth: 26cm, Weight: 10kg, Condition: Condition of use, Material: Paper, ID: 9362
£295.16
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1915. Carton, oil. 17.5x33.5 cm J?nis Roberts Tilbergs. Width: 17.5cm, Height: 33.5cm, Depth: 17.5cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9358
£408.02
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20th century. Carton, oil. 48x33 cm C. Frandereau. Width: 48cm, Height: 33cm, Depth: 33cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9356
£468.79
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20th century 30`s. Carton, oil. 46x63.5 cm Arnolds Grikis. Width: 46cm, Height: 63.5cm, Depth: 46cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9355
£581.65
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1943. Paper, watercolor. 33x21 cm, 31.5x20.5 cm J?nis Roberts Tilbergs. Width: 33cm, Height: 21cm, Depth: 20.5cm, Weight: 10kg, Condition: Condition of use, Material: Watercolor, ID: 9353
£1,684.17
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1936. Canvas, oil. 165x161 cm Augusts Annuss. Width: 165cm, Height: 161cm, Depth: 161cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9351
£7,526.70
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20th century 30`s. Canvas, oil. 110x151 cm Stanislavs Ivanickis. Width: 110cm, Height: 151cm, Depth: 110cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9347
£1,449.78
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1881. Canvas, oil. 55x72 cm Kristian Zahrtmann. Width: 55cm, Height: 72cm, Depth: 55cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9344
£6,372.08
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RENAULT Fernand Albert (1887-1939). Couple in love. It represents a symbiosis of classical themes, Fauvian technique and impressionistic relationships in the painting of neo-traditionalism of the 1930s. A monumental painting depicting a naked couple under the shade of trees against the backdrop of bridling horses not far from the sea. A couple in love, like Adam and Eve, talk with interest and study each other, as if getting used to each other. They are contrasted by skin color and light. She, under the spotlights of the sun, is white, voluminous and alluring. He is tanned in the shade, strong and brutal. With a look, a gesture, the enthusiasm of youth, he turns to her. The basis of their bed is made up of bright fabrics laid out on the ground. In them, scarlet spots complement the picturesque green foliage. The pastoral relaxation of the couple contrasts with the active background, where they throw a bridle on the horses. Which symbolically anticipates the young man’s luck in love. However, the topic is broader. They demonstrate the metaphysics of the mystery of the meeting and coexistence of the sexes. Authors signature lower right. Canvas, oil. 99?132 cm. Width: 163cm, Height: 128cm, Depth: 7cm, Weight: 25kg, Condition: Good, Material: Canvas, oil, ID: 8263
£9,983.51
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Beginning of 20th century. Canvas duplicated on carton, oil. 65x42 cm Janis Rozentals. Width: 65cm, Height: 42cm, Depth: 42cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9342
£23,153.05
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