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antique art: paintings
Works of art created with paint.
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Hunting in hills
sia antion, riga, latvia
Reinhard Sebastian Zimmermann (1815-1893) Width: 81.5cm, Height: 109cm, Depth: 81.5cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9806
£3,967.71
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Abstract composition
sia antion, riga, latvia
20th century. Carton, oil. 29.5x20.7 cm Width: 29.5cm, Height: 20.7cm, Depth: 20.7cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9784
£849.62
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Woman on rural road
sia antion, riga, latvia
1930. Carton, oil. 51x65 cm Width: 51cm, Height: 65cm, Depth: 51cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9770
£4,239.59
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Double-sided sketch for the Opera Bohemian
sia antion, riga, latvia
Sketch for 2nd and 3rd act. 20th century 30`s. One side - Veneer, oil, other side - Paper, pencil. 22.7x35.5 cm Width: 22.7cm, Height: 35.5cm, Depth: 22.7cm, Weight: 10kg, Condition: Condition of use, Material: Lacquered wood, ID: 9766
£569.24
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Landscape
sia antion, riga, latvia
1911. Canvas, oil. 61x93.5 cm Width: 61cm, Height: 93.5cm, Depth: 61cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9758
£1,019.54
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Still life
sia antion, riga, latvia
1948. Carton, oil. 61x51 cm Width: 61cm, Height: 51cm, Depth: 51cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9753
£475.79
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Still life with flowers
sia antion, riga, latvia
20th century 30`s. Canvas, oil. 60x81 cm Width: 60cm, Height: 81cm, Depth: 60cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9745
£739.17
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Landscape with ruins
sia antion, riga, latvia
1920th century. Canvas, oil. 53x88 cm Width: 53cm, Height: 88cm, Depth: 53cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9739
£620.22
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Oil painting Mower at rest by Jekabs Bine
sia antion, riga, latvia
1948. Canvas, oil. 42x80 cm Width: 42cm, Height: 80cm, Depth: 42cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9714
£909.09
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Landscape
sia antion, riga, latvia
20th century 20`s. Oil, wood. 45x58.5 cm Width: 45cm, Height: 58.5cm, Depth: 45cm, Weight: 10kg, Condition: Condition of use, Material: Lacquered wood, ID: 9711
£1,699.24
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Colored lithographs Finish and Start
sia antion, riga, latvia
Beginning of 20th century. Berlin, Germany. 46x36 cm, size with frame 84x68.5 cm Width: 84cm, Height: 68.5cm, Depth: 36cm, Weight: 10kg, Condition: Condition of use, Material: , ID: 9710
£1,818.18
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Sea
sia antion, riga, latvia
1862. Canvas, oil. 49x66 cm Width: 49cm, Height: 66cm, Depth: 49cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9662
£1,801.19
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To the church
sia antion, riga, latvia
1933. Paper, watercolor. 65x46 cm Width: 65cm, Height: 46cm, Depth: 46cm, Weight: 10kg, Condition: Condition of use, Material: Watercolor, ID: 9657
£458.79
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Under the trees
sia antion, riga, latvia
First half of 20th century. Carton, oil. 52x43 cm Width: 52cm, Height: 43cm, Depth: 43cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9654
£475.79
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Landscape
sia antion, riga, latvia
20th century 30`s. Carton, oil. 44x60 cm Width: 44cm, Height: 60cm, Depth: 44cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9624
£628.72
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Kalna Kaib?nu rija pie Vecpiebalgas
sia antion, riga, latvia
20th century 30`s. Oil, wood. 52x74 cm Width: 52cm, Height: 74cm, Depth: 52cm, Weight: 10kg, Condition: Condition of use, Material: Lacquered wood, ID: 9597
£331.35
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Shepherd girl
sia antion, riga, latvia
Canvas, oil. 49x64 cm Width: 49cm, Height: 64cm, Depth: 49cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9525
£705.18
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Portrait of a girl
sia antion, riga, latvia
Alise Vitenbergs 1896 Width: 73cm, Height: 60cm, Depth: 60cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9523
£382.33
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Act
sia antion, riga, latvia
Canvas, oil. 101x84 cm. 20th century Width: 101cm, Height: 84cm, Depth: 84cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9515
£2,973.66
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Self-portrait
sia antion, riga, latvia
Carton, oil. 53x60 cm Width: 53cm, Height: 60cm, Depth: 53cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9514
£1,469.84
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In the sauna
sia antion, riga, latvia
20th century 30.g. Paper, pastel. 22x32 cm Width: 22cm, Height: 32cm, Depth: 22cm, Weight: 10kg, Condition: Condition of use, Material: Black pencil, watercolor, ID: 9513
£331.35
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Rifle
sia antion, riga, latvia
Paper, watercolor. 1916. year. 21x26 cm Width: 21cm, Height: 26cm, Depth: 21cm, Weight: 10kg, Condition: Condition of use, Material: Watercolor, ID: 9512
£492.78
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Seashore
sia antion, riga, latvia
V.Alexeksev. Canvas, oil. 78x99cm Width: 78cm, Height: 99cm, Depth: 78cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9510
£603.23
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Peter II Casteel (1650; 1701) attributed. Animated port scene
sia antion, riga, latvia
Peter II Casteel (1650; 1701) attributed. Animated port scene Canvas formerly relined 42.5 cm by 30 Frame 54 cm by 41.5 Our painting is a little gem of finesse. The artist offers us a view of a port certainly imaginary with a large number of meticulously represented characters. Peter II Casteel (1650; 1701) Peter II Casteels is part of a large family of Flemish painters who worked in the 17th century. He is the son of Peter I and himself had two painter sons Peter III and Frans III CasteelII. He entered the guild of Saint Luke in Antwerp in 16731674 as the son of a master. Married to Elisabeth Bosschaert, he specialized in painting city views. These paintings are often in brown, green and gray tones. Width: 54cm, Height: 41.5cm, Depth: 4cm, Weight: 1kg, Condition: Exc., Usual restorations, Material: Canvas, oil, ID: 12282
£3,075.62
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Philippe Mercier (1689-1760) Attributed. School of Antoine Watteau. Gallant Scene.
sia antion, riga, latvia
Philippe Mercier (1689-1760) attributed. School of Antoine Watteau. Gallant Scene. Relined canvas measuring 81 cm by 54 cm Frame measuring 97 cm by 70 cm The artist presents us with a gallant scene. During a game of Blind Man&39;s Buff, a young man declares his love to a young lady, a Cupid encourages him in this direction. On the right, another young woman with a small dog at her feet seeking her attention. In the background, a very beautiful landscape delicately created in a soft blue atmosphere. Our painting is attributed to Philippe Mercier who, without being a student of Antoine Watteau (he didn&39;t really have one), painted many paintings in the style of Watteau (there are many painters who did it, including Nicolas Lancret, Jean-Baptiste Pater, Pierre Antoine Quillard, Michel Barthélémy Ollivier, Bonaventure de Bar, etc.). Alongside his paintings according to Watteau, he also painted scenes more in the taste of English painting, particularly in the way of painting faces. Philippe Mercier (1689-1760) Philippe Mercier can hardly be considered a French painter. Born in Berlin into a family of French Huguenots, he trained there with Antoine Pesne, who, French by birth, himself spent almost his entire career in Germany. He made a trip to Italy, probably passed through France and settled in London around 1716 and spent the rest of his life there. It is said that he met Watteau during the latter&39;s stay in the English capital around 1720. In any case, Watteau&39;s influence was decisive for Mercier; he became his successor, without strictly speaking being his pupil, and some of Mercier&39;s works could be considered Watteau works: witness The Conjurer in the Louvre, which comes from the La Caze collection, where he bore an attribution to Watteau. In fact, whether in his portraits or in his genre scenes, Mercier accentuates the puppet-like character of Watteau&39;s characters and his art is not unrelated to that of Pietro Longhi, if not even to Hogarth in its somewhat caricatured side. Mercier is poorly represented in French museums; it is in London that one must study him, at the National Gallery and the National Portrait Gallery. His first conversation pieces, or group portraits, so appreciated by British amateurs, date from 1725-26. He then achieved rapid success and in 1729 became Principal Painter to the Prince of Wales, Frederick, one of the propagators of Rococo in England. He then worked for the royal family (The Prince of Wales and his Sisters, 1733, London, NPG) but lost the favor of the Court in 1736. He then settled in York (1739-1751) and survived without difficulty thanks to his portraits (The Burton Family or Interior Scene with the Squirrel, Paris, Louvre) and his gallant, rural or familiar scenes (The Five Senses, United States, Mellon collection; The Music Session, London, Tate Gal.; The Seamstress, id.; The Young Taster, Paris, Louvre). His works show a direct influence of Watteau (The Conjurer, Paris, Louvre). But they retain a very British character. After a short stay in Portugal (1752), Mercier returned to live in London. It is representative of the numerous Franco-English artistic contacts in the first half of the 18th century. Width: 70cm, Height: 97cm, Depth: 6cm, Weight: 7kg, Condition: Exc., Usual restorations, Material: Canvas, oil, ID: 12273
£6,796.94
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