antique art: paintings
Works of art created with paint.
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LANDSCAPE WITH HAYCOCKS AT SUNSET. J. KLEVER. RUSSIA, LATE 19TH
sia antion, riga, latvia
An atmospheric painted scene of a rural landscape, presumably executed in the 1880s–1890s by the distinguished Russian artist Julius von Klever. The composition is built on the contrast between the warm evening light and the dense mass of haycocks scattered across the field. A flock of birds rises above the horizon, adding gentle movement and symbolic depth to the scene.The subtle use of color, sensitivity to atmospheric light, and generalized plasticity of form place the work within the circle of Klevers oeuvre and suggest a likely attribution to the early period of his artistic career. The painting is set in its original late 19th-century gilt frame with ornamental carving.Artist’s signature: J. ???????, lower right.Dimensions: Canvas without frame: 40 × 30 cm. With frame: 50 × 42 × 7 cm.Condition: Excellent. The canvas surface is stable, varnish with even patina. Original frame with minor signs of age.Provenance: Private collection, Western Europe. Width: 42cm, Height: 50cm, Depth: 7cm, Weight: 3kg, Condition: Good, Material: Canvas, oil, ID: 13315
£5,861.06
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Fish Market by A. Baumgartner (Austrian, 19th Century)
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Fish Market by A. Baumgartner (Austrian, 19th Century) Oil on Canvas, 66 x 86 cm. Width: 70cm, Height: 90cm, Depth: 7cm, Weight: 7kg, Condition: Good, Material: Oil painting, ID: 11544
£1,060.16
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Sailship in the Sea, Scandinavian School, Late 19th Century
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Sailship in the Sea, Scandinavian School, Late 19th Century, Signed in Bottom Left Corner, 61 x 48 cm. Frame has some losses. Width: 65cm, Height: 50cm, Depth: 10cm, Weight: 7kg, Condition: Condition of use, Material: Oil painting, ID: 11543
£387.86
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Winter Landscape by Theodore Donaldson (20th Century, USA)
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Winter Landscape by Theodore Donaldson (20th Century, USA) Signed T. Donaldson 1960 in Bottom Left Corner, 47 x 77 cm Width: 80cm, Height: 50cm, Depth: 5cm, Weight: 5kg, Condition: A little wear, Material: Oil painting, ID: 11542
£577.49
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Attributed to Hortense Mattice Gordon (Canadian, 1887–1961), Oil on Plate.
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Attributed to Hortense Mattice Gordon (Canadian, 1887–1961), Oil on Plate, 49 x 57 cm, Signed H.M.G. 1944 in Bottom Left Corner. Width: 50cm, Height: 60cm, Depth: 5cm, Weight: 5kg, Condition: Good, Material: Oil painting, ID: 11541
£1,534.22
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Village View Near the Water by V. Chaiduang (Thai Impressionism, Late 20th Century)
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Village View Near the Water by V. Chaiduang (Thai Impressionism, Late 20th Century), Oil on Canvas, 52 x 41 cm Width: 55cm, Height: 45cm, Depth: 5cm, Weight: 5kg, Condition: Good, Material: Oil painting, ID: 11540
£293.05
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Gudbrandsdal Landscape by Atle Urdal (1913–1988), Oil on Plate. Norway.
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Gudbrandsdal Landscape Artist: Atle Urdal (1913–1988, Norway) Medium: Oil on Plate Dimensions: 49 x 40 cm. Width: 45cm, Height: 55cm, Depth: 7cm, Weight: 5kg, Condition: Good, Material: Oil on panel, ID: 11539
£1,154.97
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Russian Still Life with Samovar, 19th Century, Oil on Canvas
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Russian Still Life with Samovar, 19th Century, Oil on Canvas, 48 x 38 cm. Canvas Mounted on Panel. This 19th-century Russian still life captures a classic domestic scene centered around a samovar, an essential item in traditional Russian tea culture. The oil on canvas painting showcases the samovar as a focal point. Width: 50cm, Height: 40cm, Depth: 5cm, Weight: 5kg, Condition: Good, with traces of use, Material: Oil painting, ID: 11538
£1,344.60
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Painting Bouquet of Lilacs. 1950s.
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Painting Bouquet of Lilacs. Presumably Latvia 50s. Width: 109cm, Height: 88cm, Depth: 6cm, Weight: 7kg, Condition: Good, Material: Canvas, oil, ID: 3300
£344.77
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Painting "Lady with a Parrot"
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Painting "Lady with a Parrot" . Signed in the lower left corner: Alessio Issupoff. The picture is duplicated. The size of the painting without a frame: 63 x 47 cm. Width: 58cm, Height: 73cm, Depth: 6cm, Weight: 2kg, Condition: Earlier restoration, Material: Canvas, oil, ID: 3203
£1,723.84
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Painting Nude girl, K.Somov, 1897
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Painting Naked girl Signed K.Somov 1897. In a horizontal tondo, slightly diagonally, lies a naked girl. The book does not fit her head, the peignoir is untied and the beauty of her own naked body takes possession of the girl by itself. Half-sleep, half-pleasure reign in the heroine. The artist hesitates to pause, the direction of the veiled gaze, the covers of the sheets - the intrigue and charm of the work. A mirror and a chocolate set complete the portrait of the young beauty. The sweetness and bliss of narcissism are the companions of this love alcove. Width: 37cm, Height: 30cm, Depth: 10cm, Weight: 3kg, Condition: Good, Material: Oil, ID: 2967
£6,464.40
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Painting "Winter"
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Painting "Winter" in the lower left corner signated AB(presumably Alfejs Bromulds) Width: 96.5cm, Height: 72cm, Depth: 5cm, Weight: 5kg, Condition: Good, Material: Oil on cardboard, ID: 2493
£68.95
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Virgin and Child, Oil Painting in Carved Gilded Frame, 19th Century
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Very fine 19th century oil painting of the Virgin and Child, oil on canvas, in a massive carved and gilded wooden frame.The painting is of the French school, probably inspired by a similar painting by a better-known artist. Width: 5cm, Height: 55cm, Depth: 46cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 12517
£2,266.85
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Portrait Of General Goethals Attributed to Gustaaf Wappers (1803-1874)
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This artwork is a portrait of General Goethals, who served as the commanding officer of the Province of Antwerp during the Bourbon Restoration era. It was painted in 1826 by the renowned artist Charles Gustave, Baron Wappers who mostly signed his works with the Dutch form of his name, Gustaaf Wappers. The portrait is beautifully presented within an opulent wooden frame, gilded with authentic gold leaf in the Empire style typical of the Bourbon Restoration period. The painting has undergone careful cleaning and restoration to preserve its exquisite details and historical significance.Gustaaf Wappers (1803-1874) studied at the Royal Academy of Fine Arts in Antwerp and in Paris during the time when the Romantic movement with its new ideas about art and politics was astir in France. Wappers was the first Belgian artist to take advantage of this state of affairs, and his first exhibited painting, The Devotion of the Burgomaster of Leiden, appeared at the appropriate moment and had great success in the Brussels Salon in 1830, the year of the Belgian Revolution. While political, this remarkable work revolutionised the direction of Flemish painters. Width: 50cm, Height: 63cm, Depth: 5cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12514
£3,171.87
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Mid 18th Century Oil Painting Depicting a Scene with Courtesans on Canvas
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Title : Spanish Conversation, in the style of Carle Van LooWe present you this wonderful 18th century oil on canvas painting depicting three French courtesans, a nobleman, and his faithful dog amidst a grand palatial setting with arcades and a scenic natural view in the back. The scene is executed with great skill and precision, displaying a harmonious composition of colours and placement of all the elements and perspective within the artwork.The original signed and dated 1754 at the foot of the column was presented at the Salon of 1755 but it was the engravings that Beauvarlet made of it in 1769 as well as another entitled the Spanish Reading which made them famous. Both paintings had been purchased by the famous Madame Geoffrin and upon her death in 1772 were acquired by Catherine II the Great for the Hermitage Palace in Saint Petersburg where they still remain.Beaumarchais used this engraving to set the setting for Scene 4 of Act II of The Marriage of Figaro.The beautiful wooden gilt frame is from the 18th century too and add a great value to the work.The artwork measures 72 cm in height and 60 cm in width without the frame and 92 cm in height and 80 cm in width with the frame. Width: 80cm, Height: 92cm, Depth: 5cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12509
£4,602.65
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Early 17th Century Tuscan School Oil Painting on Canvas `Virgin and Child`
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We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on his Mothers lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School during the early 17th century, boasting a dynamic composition with remarkably realistic expressive facial features.The frame measures 101 cm in height and 86 cm in width, while the canvas itself is 85 cm in height x 65 cm in width. Width: 86cm, Height: 101cm, Depth: 5cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12506
£3,516.64
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17th Century Oil on Canvas Portrait Painting of a French Nobleman
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We present you this incredible oiled portrait painting rendered in the regency style of Louis XIV. It depicts a French man of high social standing, framed in an oval gilded wooden frame with fine floral details. The man is attired in a rich, purplish-red velvet coat featuring delicate lace cuffs. He is portrayed wearing a white scarf fastened around his neck. The canvas of this painting has been re-stretched for the sake of its conservation.This artwork makes part of a matching pair which includes a portrait of the woman, both sharing the same dimensions and frame style. The pair is available for €12800. Width: 92cm, Height: 104cm, Depth: 13cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12505
£7,326.32
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18th-Century Seascape Painting in the Style of Claude-Joseph Vernet
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We present you this exquisite 18th-century coastal tableau that captures the collaborative efforts of both men and women weaving baskets along the shore while men prepare for a fishing expedition, all in the artistic manner reminiscent of Claude-Joseph Vernet (1714-1789). This work is believed to be by a follower or imitator of the artist. The backdrop of the painting is dominated by a massive early sailing ship. This artwork is elegantly enclosed within an 18th-century gilded wooden frame, and the overall dimensions, including the frame, are 97 cm in height in 85 cm in width.Claude-Joseph Vernet (1714-1789) was a French landscape and marine painter known for his remarkable depictions of coastal scenes and seascapes. He played a significant role in the development of the veduta genre, which specialised in panoramic views and landscapes. Vernet was particularly renowned for his marine paintings, characterised by their vivid portrayal of light, atmosphere, and the interplay of nature and human activity along the coast. Width: 70cm, Height: 82cm, Depth: 4cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12504
£4,869.85
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18th Century Grisaille `Moonlight`, in the style of Charles Lacroix de Marseille
sia antion, riga, latvia
We present you this exquisite grisaille painting representing a moonlit harbour scene in the style favoured by the French artist Charles-François Lacroix de Marseille (1700-1783). He was an artist known for creating landscape and marine paintings in a manner influenced by the styles of Claude Joseph Vernet, Jean-Joseph Kapeller (1702-1790), and Henry dArles. The original frame shows some minor signs of wear. This artwork dates back to the late 18th to early 19th century and measures 64x54 cm, including the frame.This painting can be accompanied by another artwork depicting a similarly peaceful setting, which is available in our inventory. These pieces can be purchased either as a set or individually. Width: 55cm, Height: 46cm, Depth: 4cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12500
£2,301.33
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17th Century Grisaille of a Dutch Pastoral Scene
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We present you this extremely antique grey pastel artwork that captures a tranquil pastoral scene depicting two shepherds guiding their livestock beneath the grand arch of an imposing Roman bridge. The back of the painting reveals an inscription indicating the work of a Dutch artist dating back to 1665. While there are a few small cracks on the cardboard, the artwork seems to be its original frame which has been reinforced with adhesive on the back. The overall dimensions, including the frame, are 67 x 55 cm. Width: 57cm, Height: 45cm, Depth: 4cm, Weight: 1kg, Condition: Condition of use, Material: Oil, ID: 12499
£2,301.33
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Early 18th Century Dutch Landscape Painting Attributed to Théobald Michau
sia antion, riga, latvia
This wonderful oil painting on canvas portrays a vibrant Dutch landscape and is attributed to Théobald Michau (1676-1765). It is characterised by a realistic depiction of everyday rural life in a flat Dutch landscape, emphasising intricate details of the scenery and luminism in the portrayal of light effects. The atmospheric perspective creates depth and portrays the dynamic influence of changing weather conditions in the painting, due to its use of soft colours in the background, giving the illusion of depth and distance. It is presented within a modern wooden frame and dates back to the 18th century, maintaining an impeccable condition.Théobald Michau was a Flemish painter known for his landscapes and genre paintings more famous in his own time than he is today. He began his training at the age of ten in Brussels under Lucas Achtschellinck, also a landscape painter. In 1698, he became a master in the Guild of Brussels, and in 1710, he was elected as a member of the Guild of Antwerp. He is considered a follower of Flemish landscape masters of the 17th century, such as Jan Brueghel the Elder or David Teniers the Younger. Width: 112cm, Height: 85cm, Depth: 3cm, Weight: kg, Condition: Condition of use, Material: Oil, ID: 12493
£9,653.51
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Aboriginal Painting by Tjunkiya Napaltjarri (1927-2009)
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We offer an exquisite Aboriginal artwork created by Tjunkiya Napaltjarri (1927-2009) in 2002, sourced from the Papunya Tula Art Center. Her work can be found in the collections of the Musée du Quai Branly. This painting comes with a certificate of authenticity and a gallery invoice.ABOUT THE ARTIST: Tjunkiya Napaltjarri is one of the oldest in the Western Desert. She was born around 1927 in the area northwest of Walungurru (known as Kintore, Northern Territory) and died in 2009. She therefore lived a good part of her life in a very traditional way (without contact with the white man). It was her mother (a woman born in Umari, a sacred site which is the main theme of Tjunkiyas paintings) who first took her to Haasts Bluff. From that point on, she joined Papunya and then regained her ancestral lands after the return of the lands to the Aborigines. Tjunkiya started painting in 1995 and has since participated in numerous exhibitions. She became the second wife of Toba Tjakamarra, who, like her own Shorty Lungkata Tjungurrayi, was a prominent founding father of the Papunya Tula art movement, Turkey Tolson Tjupurrula. Similarily to a number of other women in the central and western desert of the region, Tjunkiya was introduced to painting through the Minyma Tjukurrpa (Womens Dream) painting project in the mid-1990s. In 1996 Tjunkiya was featured in the group exhibition Papunya Women at the Utopia Art Gallery in Sydney, while in 2000 she had an exhibition at the William Mora Galleries in Melbourne and was included in the major exhibition of the Art Gallery of New South Wales, Papunya Tula: Genesis and Genius. Tjunkiya Napaltjarris remarkable artworks unveil forms through the technique of scraping colors across the surface, a distinctive method uncommon among Papunya Tula Artists. Tjunkiyas works are held in major private collections, such as Nangara (also known as the Ebes Collection). Her works have also been acquired by the Art Gallery of New South Wales, the National Gallery of Australia, the National Gallery of Victoria, the Museum and Art Gallery of the Northern Territory and the Supreme Court of the Northern Territory. In France, her works can be admired in the collections of the Musées du Quai Branly – Jacques Chirac in Paris. Her pieces are featured in esteemed collections such as in Australia: National Gallery of Australia Araluen Collection (Alice Springs) Art Gallery of New South Wales Campbelltown City Art Gallery Museum and Art Gallery of the Northern Territory National Gallery of Victoria Supreme Court of the Northern Territory Artbank International: Kluge-Ruhe Aboriginal Art Col lection of the University of Virginia, USA Musée du quai Branly - Jacques Chirac, Paris, France . Width: 153cm, Height: 61cm, Depth: 2.4cm, Weight: kg, Condition: Condition of use, Material: Oil, ID: 12479
£9,774.18
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Oil-Painting by Jean Thomas (1923-2019) `The Paillon Valley seen from Peillon`
sia antion, riga, latvia
Trained at the Academy of Fine Arts in Lyon, Jean Thomas began exhibiting his works as early as 1946. Following in the footsteps of the great painters of modernity, his early paintings echo Thomass biggest influences, namely Fernand Léger and Matisse. Some articles published about him discuss the assertion of a true artistic personality, comparing him to his contemporaries: Bernard Buffet, Aizpiri, Krol, Martinet, Patrix etc. From 1955 onwards, Jean Thomas focused primarily on landscape painting, through a precise study of light and great pictorial mastery. His works bear witness to a trend: the realistic post-war landscapes. As a professional painter, he exhibited his works on numerous occasions, most notably at the Art Gallery of Place Beauvau and at the Tournelle Gallery in Paris. In total, he participated in over a hundred exhibitions in France and abroad.This painting was painted by Jean Thomas on the 20th of January 1993. Signed in the bottom left corner. Width: 73cm, Height: 54cm, Depth: 3cm, Weight: kg, Condition: Condition of use, Material: Oil, ID: 12467
£2,068.61
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Oil-Painting `Rhône Valley: Chapel and Keep of Mornas Castle` by Jean Thomas
sia antion, riga, latvia
Trained at the Academy of Fine Arts in Lyon, Jean Thomas began exhibiting his works as early as 1946. Following in the footsteps of the great painters of modernity, his early paintings echo Thomass biggest influences, namely Fernand Léger and Matisse. Some articles published about him discuss the assertion of a true artistic personality, comparing him to his contemporaries: Bernard Buffet, Aizpiri, Krol, Martinet, Patrix etc. From 1955 onwards, Jean Thomas focused primarily on landscape painting, through a precise study of light and great pictorial mastery. His works bear witness to a trend: the realistic post-war landscapes. As a professional painter, he exhibited his works on numerous occasions, most notably at the Art Gallery of Place Beauvau and at the Tournelle Gallery in Paris. In total, he participated in over a hundred exhibitions in France and abroad.Enclosed in a white frame, this painting was painted by Jean Thomas on the 28th of August 1982. Signed in the bottom right corner. Width: 65cm, Height: 54cm, Depth: 3cm, Weight: kg, Condition: Condition of use, Material: Oil, ID: 12466
£4,326.84
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19th Century Framed Relief Sculpture, Inspired by the style of Clodion
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This large plaster relief was inspired by Claude Michel Clodions fresco and was crafted in the workshops of the Louvre Museum in Paris in the late 19th century.This piece depicts a woman in the ancient Roman style alongside a large faun, each one of them holding a little cherub. It is elegantly enclosed within a mahogany wood frame. With its frame, this relief measures an impressive 160 cm x 104 cm, while its dimensions without the frame are 132 cm x 77 cm.Highly decorative, it would make a great decor enhancement above a sofa in a living room or as a centerpiece above a bed in a bedroom. Width: 160cm, Height: 104cm, Depth: 10cm, Weight: kg, Condition: Condition of use, Material: Oil, ID: 12465
£1,542.84
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