Other antique collectibles that don't fall within any of the other categories.
sia antion, riga, latvia
The idea the picture conveys is the transformation of trans-epochal cultural and behavioral patterns. Cruel pleasures of the times of the Roman Empire, an arena where for some a wave of a finger was a matter of life and death, for others it was an idle entertainment that has evolved to a blue “like” in social networks of our days. The algorithm of mass addictions of the crowd, which originated in the stands of the Colosseum, used to influence existential questions at that time and it still continues to influence these now. When clicking on the blue finger, it should be kept in mind that the Cambridge Analytica artificial intelligence was able to determine that 10 likes enable the machine to recognize a person at the level of a colleague, 70 – at the level of a friend, 150 – as a family member, 300 likes – as a loving partner. Andrey Kartashov graduated from the A. Erdely Professional College of Arts of the Transcarpathian Academy of Arts in Uzhgorod, and later graduated from the Department of Painting of the Repin St. Petersburg Academy of Arts. Since 2007, he has been a member of the Portrait Painters Association of America (PSA), and in 2016, he joined the Union of Artists of Russia. His works are represented in the collections of the Research Museum of the Russian Academy of Arts in St. Petersburg, Tianjin Museum, and Liu Haisu Museum of Art in China, Arnold Schwarzenegger Museum in Austria, as well as in private collections of collectors from Russia, the UK, the USA, China, Ukraine, Poland, France, and the Netherlands. Produced using more forward-going technologies like the Metis scanner, which allows for printing out excellent quality art pieces, combined with the artists hand touch through overpainting, it becomes a high-class, exclusive art piece. Excellent art piece in an elegant black wood frame. Width: `102cm, Height: 165cm, Depth: 3cm, Weight: 15kg, Condition: Excellent, Material: Mixed media, ID: 8768
£11,410.23
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The painting «The Knight’s Dreams», with a somewhat defiant frankness in the updated tradition of Aubdrey Beardsley, enables the viewer to reflect on the many subtle facets of gender relations (embodied and non-embodied). The romance of the troubadours and the porn industry are depicted as two poles of the monad of love that does not make sense, but it is the one which assigns meaning to everything else. The spectrum from disembodied adoration to carnal pleasures seems to be representing the last chords of the anthem of the reality of incarnations, of the fusion of «objects number one». After all, the denial of objective reality is based only on sexual deprivation. It is the moment of the all-conquering nakedness of «yin» in front of the eternally armored «yang». A magical flower of beauty, causing insanity, promises a man, who is a victim of love, bliss and a new, better life. And this is almost true, but not for him, true for a new life that will come to replace the victim in the cycle of samsara for a new sacrifice. Adam’s wound from the removal of the rib will never heal .... Andrey Kartashov graduated from the A. Erdely Professional College of Arts of the Transcarpathian Academy of Arts in Uzhgorod, and later graduated from the Department of Painting of the Repin St. Petersburg Academy of Arts. Since 2007, he has been a member of the Portrait Painters Association of America (PSA), and in 2016, he joined the Union of Artists of Russia. His works are represented in the collections of the Research Museum of the Russian Academy of Arts in St. Petersburg, Tianjin Museum, and Liu Haisu Museum of Art in China, Arnold Schwarzenegger Museum in Austria, as well as in private collections of collectors from Russia, the UK, the USA, China, Ukraine, Poland, France, and the Netherlands. Produced using more forward-going technologies like the Metis scanner, which allows for printing out excellent quality art pieces, combined with the artists hand touch through overpainting, it becomes a high-class, exclusive art piece. Excellent art piece in an elegant black wood frame Width: 137cm, Height: 95cm, Depth: 3cm, Weight: 10kg, Condition: Excellent, Material: Mixed media, ID: 8767
£7,131.61
view detailsunique antiques by emma jade, ipswich, united kingdom
Superb pair of French hand painted toleware chestnut urns, having wonderful chinoiserie gilded decoration, with lions head mask handles to the sides, removable lids, raised on circular bases. D. 1930
£725.00
view detailsunique antiques by emma jade, ipswich, united kingdom
Stunning quality large antique Victorian cheese dish, having a quality large antique Victorian cheese dish with a lift off lid, decorated with leaves and grass with gold gilded detail raised on the original circular stand....
£465.00
view detailslansdowne antiques, dorking, united kingdom
Opera Binoculars Mother of Pearl
£95.00
view detailsbore park antiques, nuneaton, united kingdom
This antique/vintage Birmingham-made fob or chatelain is a true treasure for any collector of solid silver items. The patented folding scissors are elegantly housed in a silver case, making it both a functional and stylish...
£145.00
view detailsprivate seller, bournemouth, united kingdom
A Blue glass vase hung with cut glass buttons and lustres all in excellent condition
£165.00
view detailsbore park antiques, nuneaton, united kingdom
Superb calculator in very good condition and working order comes with original case, offering free delivery Worldwide reference DRC9 Tel: +44 7505 165 843 We accept online payments for all our items listed: Bank transfer...
£65.00
view detailsstyle.1900, scunthorpe, united kingdom
ITEM DESCRIPTION: Original and Rare Antique Hand-Crank Sewing Machine, the Titan by Gustav Winselmann Attenburg of Germany. Complete with Original Wooden Case. No key, so cannot lift using the case handle. Appears to be working,...
£175.00
view detailsbore park antiques, nuneaton, united kingdom
Quality mahogany cased set has the name of EW Elliot & Sons 56 Strand London. Also the gentleman’s name engraved on the cartouche on the cases lid. Length 37 cm width 14 cm height closed...
£495.00
view detailsbore park antiques, nuneaton, united kingdom
Large Opal stone embedded into stunning gold plated book-marker clip in original box, the stones approximately 2 carat, offering free worldwide delivery reference DRC2
£95.00
view detailskoos limburg jnr, glen prosen, united kingdom
Coopered Oak And Brass Bucket Dutch 19th Century. Still with the original brass liner bands and handle. In very good original strong condition with beautiful original patination. Dutch circa 1850. 50cm high till top of...
£775.00
view detailstony o connor, chepstow uk, united kingdom
Vintage Siebe Gorman Divers tool/knife with Bakelite handle,steel blade,brass fittings.This 1960s item is in very good condition.Original sheath missing,modern engraved sheath only.This item is becoming increasingly rare.
£105.00
view detailssia antion, riga, latvia
Suprematist slogan. Let`s move production comrades. Canvas, oil. Without stretcher. Text on the background of Suprematist tools and means of production. It symbolically depicts the process, tool and purpose of production. Width: 155cm, Height: 49cm, Depth: 0.02cm, Weight: 0.6kg, Condition: Satisfactory, Material: Canvas, oil, ID: 4800
£898.51
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Arthur Apinis. (1904-1975). Bookplate - original ink drawing. Roberta Vitoli?a book. 1930s It personifies the muse of engravings, graphics and paintings under the lantern. Width: 14.5cm, Height: 18cm, Depth: 0.02cm, Weight: 0.2kg, Condition: Satisfactory, Material: Ink drawing, ID: 4799
£51.34
view detailssia antion, riga, latvia
Burghardt. The Bee and Gladioli. Watercolor, ink. Pencil signature in the upper right corner. Width: 30cm, Height: 42cm, Depth: 0.02cm, Weight: 0.3kg, Condition: As is, Material: Wash and watercolor on paper, ID: 4795
£68.46
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Tenis Grassis. (1925-2001). A sketch for stained-glass windows ?. Work from the cycle History of the struggle of the Latvian people 1967. Gouache on cardboard. Signed in pencil on the back. Width: 36cm, Height: 44cm, Depth: 0.02cm, Weight: 0.3kg, Condition: As is, Material: Gouache, ID: 4791
£145.47
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Berlin chromolithography Wincelman and Sohn from Okhota by Pyotr Sokolov. End of the 19th century. Chromolithography is a type of mass reproduction engraving of the second half of the 19th century. An analogue of modern photomechanical methods of mass printing. Color printing on paper on cardboard. Width: 45cm, Height: 57cm, Depth: 0.02cm, Weight: 0.3kg, Condition: As is, Material: Lithograph, ID: 4789
£145.47
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Lithographic illustration of Van Gogh`s painting Pink Roses in a Vase, with oil painting. The beginning of the 20th century. Width: 50cm, Height: 76cm, Depth: 0.5cm, Weight: 0.6kg, Condition: As is, Material: Lithograph, ID: 4782
£402.19
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Pencil drawing Old Riga. 1936 year. Signed Frid in the lower left corner. Unframed size: 32 x 20 cm. Width: 23.5cm, Height: 35cm, Depth: 1cm, Weight: 0.3kg, Condition: As is, Material: Pencil, ID: 4751
£111.24
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Aleksandrs Zviedris (1905 - 1993) Sketch for the work Summer. Pastel on paper. Unframed size: 21 x 29 cm. Width: 34cm, Height: 37cm, Depth: 2cm, Weight: 0.5kg, Condition: Satisfactory, Material: Pastel, ID: 4748
£77.02
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Vikharev Stanislav Vasilievich (1924). Before the rain. Autolithograph of 1950. S.V. Vikharev - graphic artist, graduate of the Academy of Arts in 1953. Member of the Union of Artists of the USSR. Unframed size: 42 x 31 cm. Width: 49cm, Height: 61cm, Depth: 2cm, Weight: 1kg, Condition: Good, Material: Lithograph, ID: 4741
£85.57
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French engraving of the 18th century by David Teniers Return from the Tavern. Engraver and workshop: J.Ph. Le Bas. Paris. Ruo de la Harp. Sheet number 51. Unframed size 38 x 45 cm. Width: 58cm, Height: 52cm, Depth: 2cm, Weight: 2kg, Condition: Satisfactory, Material: Engraving, ID: 4740
£265.27
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French lithograph Camp of the infantry in Voznesensk. September 1837. From the travels of Demidov across the Crimea. Unframed size: 28 x 47 cm. Width: 63cm, Height: 45cm, Depth: 2cm, Weight: 2kg, Condition: Good, Material: Lithograph, ID: 4738
£145.47
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Graphic Artur Duburs (1899-1973). Autumn Landscape .1970. Dry pastel. Signed in the lower right corner. Unframed size: 26 x 20 cm. Width: 31cm, Height: 37.5cm, Depth: 2cm, Weight: 0.5kg, Condition: Satisfactory, Material: Pastel, ID: 4732
£102.69
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