This is a lovely and very decorative French Art Nouveau stylegiltwoodmirrordating from the last quarter of the20thcentury.
This beautiful mirror features classic Art Nouveau styling with a carved central plaque of a winged dragonfly lady with a texturedtree branch and leaf decoration. The mirror glass is framed with pierced carvedbamboo bunches.
This asymmetrical shaped design adds to its appeal as a unique furnishing piece.
In excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 150 x Width 79-Frame
Dimensions in inches:
Height 4 foot, 11 inches x Width 2 foot, 7 inches-Frame
Our reference: 07546
are commonly used forpersonal groomingor admiring oneself (in which case thearchaic termlooking-glassis sometimes still used), decoration, and architecture.
The earliest manufactured mirrors were pieces of polished stone such as obsidian, a naturally occurring volcanic glass.In classical antiquity, mirrors were made of solid metal (bronze, later silver) and were too expensive for widespread use by common people; they were also prone tocorrosion. Due to the low reflectivity of polished metal, these mirrors also gave a darker image than modern ones, making them unsuitable for indoor use with the artificial lighting of the time.
The method of making mirrors out ofplate glasswas invented by 16th-century Venetian glassmakers on the island ofMurano, who covered the back of the glass withmercury, obtaining near-perfect and undistorted reflection.For over one hundred years, Venetian mirrors installed in richly decorated frames served as luxury decorations for palaces throughout Europe, but the secret of the mercury process eventually arrived in London and Paris during the 17th century, due to industrial espionage. French workshops succeeded in large scale industrialization of the process, eventually making mirrors affordable to the masses.
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