A stunning antique French kingwoodVernis Marten five panel display cabinet in the Louis XV manner and of extravagantly shaped serpentine form, Circa 1880 in date, with exquisite hand painted decoration and exquisite ormolu mounts.
There are five Vernis Martin panels with beautiful hand painted decoration, the central panel depicting a courting couple and the others with pastoral country scenes. With acentral clear serpentine glazed door flanking clear glazed serpentine panels on the sides witha capacious cupboard in the bottom.
It is smothered in gorgeous gilded ormolu mounts, standing on cabriolelegs, the green damask lined interior is fitted with glass shelves to display your collection of china or silver beautifully.
This magnificent piece is in excellent condition and the quality and attention to detail throughout is second to none.
Add a touch of unparalleled style to your home.
In really excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 195 x Width 125 x Depth 41
Dimensions in inches:
Height 6 foot, 5 inches x Width 4 feet, 1 inch x Depth 1 foot, 4 inches
Our reference: 07971
is a lustrous lacquer substitute widely used in the 18th century to decorate furniture and such personal articles as brisé fans, snuffboxes and clocks. The process of adding bronze or gold powder to green varnish was perfected by the French brothers Guillaume and Etienne-Simon Martin, hence its name “Vernis Martin”, as Vernis is French for varnish. It is said to have been made by heating oil, copal and amber and then adding Venetian turpentine and the Martin brothers perfected the process with inclusions in the varnish, sprinkling spangles of silver plated copper wire into the wet varnish ground. Highly praised by Voltaire, it was developed to imitate East Asian lacquerware which was being imported into France during the Louis XV period. Vernis Martin was made in several colours, green, black and a golden red being the most characteristic.
Ormolu -(from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-caratgoldin amercuryamalgamto an object ofbronze.The mercury is driven off in akilnleaving behind a gold-coloured veneerknown as'gilt bronze'.
The manufacture of true ormolu employs a process known as mercury-gilding orfire-gilding, in which a solution ofnitrate of mercuryis applied to a piece ofcopper,brass, or bronze, followed by the application of anamalgamof gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.
No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour.Electroplatingis the most common modern technique. Ormolu techniques are essentially the same as those used onsilver, to producesilver-gilt(also known asvermeil).
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